今天，我看了《料理鼠王》这部电影。
看完后，我懂得了人人都能做饭这个道理。
我喜欢这部电影。

《料理鼠王》不单单是一部喜剧动画，其中给我们带来的更多的是对潜力和价值的思考。
《料理鼠王》一部动画围绕着“人人都能做菜”这一句话发展。
不过我对篇末的两句话更觉得经典“不是每个人都能成为伟大的艺术家”“但是伟大的艺术家可以来着任何地方”。
面对失败与挫折，我们常常怀疑自己的能力，这是很正常的，面对别人的指责，我们或许会自暴自弃得想“我是一个不受上天宠爱的孩子，我只会把事情搞砸”，或许我们会去找“我就是能力差”这样的借口。
人的潜力是无限大的，在学习上，看着别的同学遥遥领先，你会怎么想？我想说的是“这个世界上没有天才，只有比普通人更努力的人才！”你与你前面的同学对比，你永远是最后一名，与你后面的同学相比你永远是第一名。你去认认真真得观察一下那些在某些领域占优势的同学平时是不是比别人投入得更多？99%是这样，还有0.9999999999%是装作不在乎，其实暗地里较劲。当然还有0.0000000001%的人来着外星...
《料理鼠王》多次提到“偷”“拿”“创造”等字眼，我们要为自己所做的每一件事情付出相应的代价，“偷”来的生活是可鄙的，罪恶的，“拿”来的生活是平淡无味的，只有“创造”自己的生活，才能体验到生活的精彩。
“不是每个人都能成为成功者”“但是成功者可以来着任何地方”。
不要忽视自己，水滴石穿，任何的荣耀都是平时一点一滴积累而来的，在点点滴滴的付出你会品尝到青春的滋味，在春暖花开的日子里你能体会到生活的美好！
A lot of animated movies have inspired sequels, notably "Shrek," but Brad Bird's "Ratatouille" is the first one that made me positively desire one. Remy, the earnest little rat who is its hero, is such a lovable, determined, gifted rodent that I want to know happens to him next, now that he has conquered the summit of French cuisine. I think running for office might not be beyond his reach, and there's certainly something de Gaullean about his snout.
Remy is a member of a large family of rats (a horde, I think, is the word) who ply the trash cans and sewers of a Parisian suburb, just like good rats should. "Eat your garbage!" commands Remy's father, Django, obviously a loving parent. The rats are evicted from their cozy home in a cottage-kitchen ceiling in a scene that will have rat-haters in the audience cringing (and who among us will claim they don't hate rats more than a little?), and they are swept through the sewers in a torrential flood.
Remy (voice of Patton Oswalt) has always been blessed, or cursed, with a refined palate and a sensitive nose, and now he starts skulking around the kitchen of Gusteau, his culinary hero (voice of Brad Garrett).
Linguini and Remy meet, somehow establish trust and communication, and when Linguini gets credit for a soup that the rat has saved with strategic seasonings, they team up.
All of this begins as a dubious premise and ends as a triumph of animation, comedy, imagination and, yes, humanity. What is most lovable about Remy is his modesty and shyness, even for a rat. He has body language so expressive than many humans would trade for it.
Brad Bird and his executive producer, John Lasseter, clearly have taken over the leadership in the animation field right now. Yes, Bird made "The Incredibles," but the one that got away was his wonderful "The Iron Giant," in which a towering robot was as subtle, gentle and touching as Remy. His eye for detail is remarkable. Every prop and utensil and spice and ingredient in the kitchen is almost tangible, and I for one would never turn off the Food Channel if Remy hosted a program named "Any Rat Can Cook."
This is clearly one of the best of the year's films. Every time an animated film is successful, you have to read all over again about how animation isn't "just for children" but "for the whole family," and "even for adults going on their own." No kidding!