dad,for,sale,读后感谁会写?其实我觉得这图书馆的话就是说按照你喜欢的类型去分配。英语读后感英语读后感范文1,The,book...
dad for sale 读后感谁会写?
英语读后感
The book is about an old fisherman named diego in Cuba, alone a person out to sea fishing, at 84 days after nothing caught a big marlin. This is old people have never seen nor heard of than his boat two feet longer a big fish. Fish trouble is big also, dragging the boat drifted for two days and two nights, the old man has experienced in these two days and two nights have never suffered the hard test, finally put the big shark fin die, tied to the bow. At this time, however, encountered a shark, the old man and the shark dogfight, result the big marlin was shark ate up, old man finally dragged home only a pair of bare fish skeleton
Why didn't Hemingway make the old man finally victory? . This is the old man and the sea "want to reveal of philosophy. Undeniable, as long as it is they will have defects. When a person admitted the defects and tried to overcome it, this is the most important thing. Because a person's value is embodied in the process, even if nothing to harvest, it is victory. Old fisherman was dared to challenge their winner, he has unparalleled courage and confidence, he is the best,
Old fisherman either failed or successful, he is a winner.
So we want to go forward with a confidence and courage to face challenges, that is the real winner.
英语读后感范文2Recently,I read Helen Keller's autobiography "If I give a bright day," I am emotionally.
"If I give a bright day," a book in between the lines,all filled with Helen.Qin Kai's passion for life,she's warm attitude towards the people of the world should value the present exhortation to all.She has three days to the bright hope to experience this world,so that all who are familiar with her,Helen.Qin Kai would like to see is too many things too much,but this is just a beautiful beautiful dream.
"Suffering is a stepping stone for the genius……" is the suffering created by Helen.Qin Kai strong character.She as a blind deaf people with disabilities has a more than ordinary people's psychological health.She can feel with their own,can imagine the scene,expressing their desire for knowledge and sincere love for humanity.She warned his personal feelings of others,the psychological health of human beings is the most basic conditions for success,a healthy physical and psychological health of the people did not,is not a cause of achievement.Mental health of the people,although physical disability is not complaining about fate,and the desire not to accept other people's mercy,they will with a strong self-determination at the other side of the ideal.
A philosopher once said:"courageous resides in the soul,rather than a strong body." This is the true portrayal of Helen.Helen with a strong heart,eventually rising in the face of adversity,is physically disabled-no residue.The sound of my medical students,it has good conditions for learning,but not for lack of perseverance and resilience.Therefore,the article gave me the biggest inspiration is:
First,to complete every thing.A celebrity once said:"What is not easy禄 the daily is not easy to do things every day,do persist.What is not simple 禄is not simple to have done everything the best."
Second,there must be optimistic and uplifting good mentality.Helen and the huge blow to the face of difficulties,not Yuantianyouren,but with an optimistic attitude to face up to get their confidence.Below is a story,illustrates this point.Two results of a scholar,Beijing Gankao,Ganlu the middle of the night,the team event of mourning,and the coffin Cajianerguo,the former very worried,that this is not a good sign.The latter would like to:coffin coffin,another official earnings.Therefore the latter examinations of the champion.While the former is Bangshangwuming,this story can be more optimistic that the upward good mentality,is an important factor in the success.
I have this good book to do my mentor,I believe I will live beyond the day more colorful.
英语读后感范文3" Les Miserables " (1862) is representative works of Victor Hugo,as one of the most famous novels in the French literature.
The novel basic plot is Ran A Rang pitiful life history. He originally is one poor family background worker, because the income insufficient family member gets by, by one time stole the bread is arrested is put in prison. Passed 19 years firm prison and the bitter service life. The punishment completely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner person. He uses an alias is Madland, works as the entrepreneur, and is pushed for mayor. But soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker Fantin's daughter Cosette match from one bastard hand special, went to Paris. Afterwards again unceasingly encountered police's pursuit. The Ran A Rang entire life fills is imprisoned the pain which the bitter service and drifts about destitute, this is the novel main clue.
" Les Miserables " is the work which one realism and the romanticism unifies, the very many chapters glitter the realism glory, such as , in 1832 Paris's street barricade war all wrote is quite real. But the romanticism technique quite was also obvious in the plot arrangement, writes the many extraordinary events. If Ran A rang lets lie down is lifted in the coffin the monastery, he rescues from the street barricade Marilius, all is strange, molds, environment description, symbolic and contrast technique aspect and so on utilization in the character image, also manifests the romanticism the characteristic.
英语读后感范文4Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory lois a gag that never stops running
英语读后感范文5When I first read "gone with the wind," I felt that the author didn't know what to say, but that the story started with a party. Then, once again, perhaps growing up, he read the whole story's twists and turns.
Throughout, I felt that the favourite character was scarlett, even though she was wild and cruel and greedy, but at the same time she showed her beauty and shrewdness in her. She doesn't like the women of the time, they are less inhibited, and so pedantic, but scarlett is different, she is a lively and unfettered bird, in such a dark social freedom of flying. When she mistakenly gave ASHLEY her elaborate "dress", her love was wrong. When she didn't understand her feelings and consumed rhett's love, she was wrong again. Fortunately, scarlett was strong, and when she made two mistakes, she remembered her father's words: "the earth is the only land that is with tomorrow." She was not confused or hesitant about her feelings. She believed in tomorrow and she could seize love tomorrow. The main character, scarlett, is such a child, but strong and hopeful.
As ASHLEY said, Melanie was so weak and timid, and scarlett was so brave. Although scarlett failed in love, her life, her efforts, was clearly successful. When ASHLEY left Melanie to scarlett, she kept her promise and took good care of Melanie, even though she was upset. During the war, it was difficult for everyone to live, and scarlett supported Melanie and her family by her own efforts, even though many of them had been cheated by frank. Maybe some people thought she was a real sneaky, mean-spirited, but I couldn't agree that scarlett was doing it to save all the people, and she couldn't destroy her father's family. Scarlett tried so hard, she was persistent and brave to protect everyone.
Compared with Melanie, scarlett was not a good woman, but she was more real and more empathetic. Melanie is too perfect, perfect to the impossible, so she can be a good image of the representative, this is the reason I like scarlett, she is a really alive, human being. In Melanie, scarlett first emotion only envy and hate, but in the end, Melanie's generosity to make her understand that she is like and rely on Melanie, after all, mei and seven straight silently behind to help her. Scarlett had a heart of tolerance, too, and she was tolerant of Melanie during the war. It was such a tolerant heart that she protected Melanie and made scarlett see herself.
"Gone with the wind" is gorgeous, and it shapes scarlett, a man of her own soul and colorful character. Let me know her strength, faith, hard work, perseverance, courage and tolerance from scarlett. The full text also added a lot of interest.
英语读后感范文6It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.Jane Eyer was a born resister, whose parents went off when she was very young, and her aunt,the only relative she had,treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.
英语读后感范文7Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her ersonality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
英语读后感范文8" Hamlet " of Shakespear is a classical representative work. This book certainly does not have the big difference in the superficial plot with the historical fable, spoke or the Danish prince the story which revenged for the father, in which fills the rank smell of blood violence and dies.Just like the dramatis personae Horatio said: " you may hear to to rape massacre, the unusual repair behavior, the dark center decision, accidental slaughter, borrows the hand murder , as well as falls into result." Windingly elects the plot, tightly centers on the revenge to launch. Hamlet Wittenberg hurries back the home in a hurry from Germany, is attends his father's funeral,enables him to accept, he not catches up with father's funeral, actually witnessed the mother and the Uncle Claudius' wedding ceremony, this had caused Hamm the Wright suspicion at the heart, added night above meets in the royal palace castle with father's ghost, the ghost sorrow sued, this pile atrocity was Uncle。
Hamlet the behavior, and wanted him to revenge for the father.To this, he started the difficult revenge course, launched the life and death contest with Claudius. Finally, sent out sword the revenge to Claudius.
英语读后感范文9《朝花夕拾》
i read the book written by luxun .it is called zhaohuaxishi. it includes 10 short articles about the writers stories .they are based on his own experience , when i read this book ,i feel very happy to see luxuns childhood. it was diffrent from ours,so we may find it intersting and exciting. luxuns langange is very great but maybe difficult to understand . but through his words ,we can find his happinein his heart .
英语读后感范文10Tonight I watched the movie for the third time. I really enjoy this film so much.
So what's your choice between being a common person or a hero with people's respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful. I was so moved by the words the Aunt Mary said: You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. The spider man got much from these words, so did I. And what about you? what's the hero lying in you?
绘本《Dad for sale》专家点评
这节微课真人互动体验感很强,教学过程独创自然。张老师语言优美形象甜美,具有很强的表现力、亲和力和感染力,有很多值得学习的地方。下面我有几点观课体验和大家分享一下。
第一个我们首先来做一下这个文本分析。
这个绘本《Dad for sale》是一种典型的情感类绘本,指向的是人与自我主题语境中的亲子关系。他主要讲的是小男孩儿对爸爸不允许自己做一些事情感到不满,想把爸爸卖掉,最终醒悟发现自己拥有的是世界上最好的爸爸。
从语言角度上来讲,就是作者运用了重复的句子和加粗的单词,构成了绘本的主要情节冲突和情感要素。
从图画细节来看,绘本中男孩和爸爸的表情鲜明,人物形象生动,并且补充了大量文字之外的信息。
从文本价值来看,透过男孩描述父亲不允许做的事情,以及回忆和父亲相处时的种种乐趣,男孩逐渐发现了父亲的付出和责任,引导孩子要理解,要珍惜父爱。本节课的教学充分体现了教师对文本的充分的理解和准确的把握。
好,下面我们来讲一些亮点。
第一个,抓住多重对比,结构化梳理文本。
张老师对文本处理强调结构化,而不是仅仅停留在细节上面。老师在教学中抓住了三处对比,有利于学生抓住故事主线去结构化的理解文本。
第一个是人物对比,理解行为动机。小男孩在家处处受限和Rosie 在家可以任性自由的状态对比,能帮助学生理解小男孩要卖爸爸的这个动机。
第二个是首尾对比,强化故事冲突。通过小男孩一开始闹着要卖爸爸,到最后要买爸爸的这样的首尾情节的对比,强化了故事冲突,吸引读者的注意力和阅读期待,并以此作为我们的故事教学整个主线。
第三个是形象对比,凸显情感变化。从一开始,小男孩眼中爸爸的monster 形象到最后的angle 形象进行对比,反映了孩子在回忆与爸爸相处的点点滴滴中,逐渐认识到了父爱,理解和珍惜父爱。同时也能唤起读者的同理心,更好的走进文本体验情感。
亮点二,问题链的有序推进,深入理解文本。
高质量的提问,能够有效的促进学生的理解能力和思维品质的发展。那本节课中张老师的提问不是碎片化问题的堆砌,而是有层次、有逻辑序列化问题的有序推进。首先在Pre-reading 这个环节,教师抓住了绘本起引for sale,利用商店等物品销售的图片,帮助学生在生活的情境当中理解for seal 的意义。通过提问Will you sell your dad? 引导学生产生这种信息差和悬念,引发其好奇心和阅读期待。教师进而引导学生根据标题自主提问,激活学生对于故事类文本的要素记忆,构建初步的故事脉络。While-reading 环节使用who这个问题,引导学生进行图片环游,整体听读文本,形成对文本的初步理解。接着围绕Why does the boy want to sell dad? From monster to angel, what is change?这两大问题引导学生展开细读,逐步理解文本,理解故事的主要的情节冲突和形成故事的整体脉络,充分体验人物情感。Post-reading 环节是用这个What makes a good dad? 开放性问题,让学生展现自己所期待的亲子关系,延伸对主题的思考。
整节课当中,张老师通过梯度性的问题链推进课堂,引导学生从文本的表层信息提取到文本的深层内涵领域;从读文、读图到领悟文本的育人价值,这个过程也是促进学生思维品质提升的一个很好的过程。
亮点三,给予充分接触文本的机会,“绘声绘色”学文本。
绘本阅读要充分给予学生接触文本的机会,不能用教师的讲解挤占学生阅读的时间,不能用教师的讲解替代学生自主阅读后的理解、领悟和赏析。同时,教师也要充分利用绘本绘声绘色的特质,引导学生听音读图,而不只停留在文本上,以此激发学生学习绘本的兴趣,提升学生的阅读体验,也更有利于学生充分理解文本,体验情感。
本节课当中,学生有机会整体听读文本两遍,能够充分观察图片。如没有忽略这个墙上妈妈的照片这样一个细微的细节,由此帮助学生领悟单身爸爸的不易,更能引起学生的共情,能够通过这种角色代入,模仿朗读,音画诗等方式,顺应孩子这样一种认知特点。能多感官的参与活动,引导学生走进人物的内心与角色产生共鸣。学生最终能够结合自己丰富的生活经验和情感体验,呈现出丰富而又深刻的理解。
亮点四,语言训练和策略培养兼顾,促进整体能力提升。
绘本阅读不仅仅要关注学生读什么,也要有意识的引导学生怎么读,还要善于利用这个绘本情境,帮助学生学习新知,并在新的情境当中牵引运用已学的知识。
教师在教学过程当中,采用了各种阅读方法进行指导。比如使用图片环游这个形式帮助学生了解故事大意。基于这些问题来检索定位信息,寻找关键句来归纳信息。比如We have lots of fun,然后通过读图来推理信息,锻炼学生读图能力。最后整体回顾,给爸爸提建议评价信息等等。
此外,针对三年级学生的水平和绘本特点,渗透了对学生的自然拼读能力的培养。比如说核心词汇sale的教读还朗读指导策略,如何利用自己的情感来凸显对文本的理解。同时能够基于学生语言学习的基础和期待,有机提取绘本中学生已知和已学和能学的内容,来利用绘本情境展开语音、句型等语言知识的训练,实现语言表达和意义理解并驱,巩固学生的学习成果,促进学生学业质量提升。
总体来说,这是一节非常值得学习,有很多亮点可以去剖析的一堂课。
最后,提一个小小的建议,能够让我们这节课走向一个更高的境界。
教师在最后的环节,能不能更为精确的把握文本的育人价值,能够从理解父母到反省自身?因为在本节课当中,最后仅仅提出What makes a good dad?该问题是让学生去单向的评价,或者是要求父母去做什么。比如视频中也大量用到了You should do…,You should…。我觉得可能有一些偏离理解父母这样一个情感层面。因为这篇绘本的受众是学生,学习价值可能更多的指向学生能否从自身角度进行反思,或者至少是就父母跟孩子进行双向的反思,而不仅仅要对父母提出要求。因此建议教师可以通过扮演父亲的角色,给学生顺势抛出问题。比如说If you were the boy,what would you say to me?,然后来看看学生在学完这个绘本之后,是不是能够理解绘本的教育价值。能够对自己基于处在男孩的这个立场,对自身的行为进行一些反思。同时学生也可以结合自己的生活实际,谈谈从自己和父母的立场,如何建立更好的亲子关系,实现双向的反思。那么这样的话我觉得能够更好的体现绘本的育人价值。
惠州市教育科学研究院小学英语教研员 邓少美
这是绘本的内容。如果用what,why,how 的结构初步梳理故事,可以把文本分成三部分。第一部分是what。小男孩突然对爸爸说,不再爱他了,赶他出家门。第二段是why。小男孩用You don’t let me do something,列出爸爸的三大罪状,表达了对爸爸的各种约束和限制的强烈不满。因此在第三部分,他提出了解决问题的方法,把爸爸送到商店里去卖了吧。
听了张老师的课,我简单罗列了整个课堂教学的流程。
可以看出张老师的设计结构清晰,目标明确,从三部分Pre-reading, While-reading,
Post-reading进行安排和设置。每个教学的环节都安排了听看读的活动,而每个活动都有科学明确的教学设计意图。在教学过程中,张老师还注重了小步滚动、多元思维的这一种教学方法。首先是基于文本感知和理解故事在听的活动中,先是无文本的听,后来是带着文本听,遵循了小学绘本教学的先图后文的教学思想,培养了学生的观察能力和理解能力,为学生提供学习策略的指导,而且有重点片段的听读,也有全文的听读。在这个过程中,把词汇拼读、句型以及朗读技巧教学贯穿其中。接着是深入文本,设计应用实践类的活动。通过细读文本解读图意,增强了学生体验的能力。最后是超越绘本,设计迁移创新类的活动。让孩子们讨论What makes a good dad?,深挖主题,实现一个共鸣和共情。
那对于共情互动,深挖主题这一点,我们再来看看张老师对文本的处理。我们把张老师对文本的部分截图放在一起,让我们来再现故事的整个情节。当老师从男孩的抱怨带着孩子们进行第一轮的读图,发出了That’s not fair.这样的一个评论引起共情和共鸣,塑造了爸爸这个monster的形象。在第二轮细读图片的时候,通过孩子观察这些动物的表情和感受,引导学生自发的进行判断和思考。她提出了,Are they the good things to do? No, that's why the boy cannot do them. 这样的一个道理。然后再通过男孩他设想出售爸爸的时候,触发了一些美好的回忆:They have a lot of fun. 突出了fun这样一个字眼,说明了父子感情之深。因此我们可以看出Dad for sale 这个故事的主题,从父子的关系来看的话,可以是亲情片;从爸爸的角度来看,是育儿篇;而从boy 的角度来看,可以是成长篇。男孩从满腹牢骚,表现出了一些dissatisfaction到满满的美好的回忆。经历了对父亲的不同阶段的理解。实际上我们说每个孩子的心里都是魔鬼和天使,一直在打架。而父亲的两种的形象,实际上也是孩子内心的一个折射。孩子的这一个心理历程,推动了整个故事情节的峰回路转。他从要出售爸爸到后来是自卖自买这样的一个情节的构思。而在这一个过程里边,他也学会了情绪的管理,收获了快乐成长。那张老师非常成功的带着孩子们也带着我,我们进入了这一个绘本故事。这个过程是很享受的。那在观看以后,我也有几点不大成熟的想法。作为我们的优化教学设计的一个建议,借此跟大家一起交流。
第一点是关于封面的解读。
封面的人物并非是故事的主角,而是这男孩,他心目中认为拥有了好爸爸的这个Rosie。Rosie的身后是为她遮风避雨的撑着雨伞的父母。扉页里边是我们的主角,他心目中的爸爸的形象实际上跟dad shop 里边的所有的父亲的形象以及Rosie的父母的形象都是一个样的。那是有什么样的寓意呢?它的封面为什么要这样子的安排画面呢?而妈妈的头像,不是全家福的照片挂在自己家里,这有什么样的暗示呢?当然我们对小学三年级的学生不需要对文本过多的挖掘。但是张老师也巧妙的点出了既当爸又当妈的这一个dad。
第二点,是首图的解读。
在第一幅图里边,也就是绘本第一页。我们就会看到有这样的文字。那我们看到的是一个干家务的场景。从这个男孩的眼神跟他的手势可以看出,他在断然的拒绝爸爸的要求。那他是不是因此而天马行空的编出了Rosie为所欲为,而自己诸多受限的这样的一个对比。在发泄不满呢?假如我们解读故事的起因,也许我们的导入可以有不同的思路。
比如在绘本里边有个toy shop 的图片,是不是可以借助这一个图片来去引出买和卖的词汇来讨论。对于不再喜欢和不再需要的东西怎样处理,这样会不会有其他的一个思路?那期待老师们进一步的探索这个引入的方法。
第三点,关于问题链的设置和活动形式。
张老师很巧妙的把这些图片进行了一个重组归类,这样有助于主题意义的梳理和深入。但是我觉得这个设置的问题有待优化。比如右边的这一组图,它是借助了非常夸张变形拟人的画面,帮助孩子形成正确的是非观,并且也进行进行了健康卫生的生活习惯的一个教育,是一种生活教育和情感教育的问题。Which picture do you like best?, 这样的图片是不是应该要有所不同?
第四点,画中有画,画中有话,意情思融合。
其实在我们的绘本教学里边,我们会发现,我们看到dad 跟这个男孩手里边经常会有书本,书不离手的这样的一个场景。那这里的话实际上也是暗含了一种品格的培养。爸爸热爱阅读的这种好习惯,让儿子也耳濡目染,我们也可以看得出这一绘本传递的播种阅读、收获素养的这种理念。那我们在其他的绘本里边也会经常看到,比如像这个小木工,或者是说爸爸的眼镜、书本等一些物品,配衬、配饰等等。衬托出人物的一种特征,也可以是引导学生进行一些细致的观察,以及进行探索,可以让他们对人物的性格进行一些评价等等。
我们对于图文并茂的这种绘本,它蕴含了深刻的育人的价值,我们还可以从言传身教来去讲。
比如说这个文本传递的言传里边,我们可以从这几句话。虽然是从男孩的口中说出来,实际上我们就可以看得出父亲,他这样的一个育人的理念。他说了很多的rules,一些家规。那么他向我们呈现的就是一个讲原则,为人做事有清晰边界的一个好父亲的形象。而我们的图片也呈现了一种身教的效果。这一组图我们就可以更加的清晰的勾勒出饱满立体的好父亲的形象。比如是一个家庭主男,还有奶爸,还有文化人,戴着眼镜又读书,天使等等这样的形象。我们可以在这一个过程里边就对孩子进行了一个文化意识的培养。知道我们的一些家庭的教育,或者我们家风。第二点,我们还可以培养观察力,增强孩子们的一种体验感。
第五点,主题升华。
张老师用了I know I’m not a perfect dad. I will try my best. 来进行课的一个总结。那这个绘本本来是从孩子的视角一下子转到了父亲的。作为爸爸的一个视角,那谁的心路的历程更加的重要呢?而我们在讲perfect dad 跟这个imperfect dad 到底孩子们心里边应该要认识到的是boy’s dad 还是Rosie’s dad 是perfect 呢?这里是否又会给孩子绕了一下?本来我们前面的一个梳理已经让孩子们对好爸爸有了一个比较清晰的理解,而这里的话却又从爸爸自己的一个心声流露来去做活动。这一点是否前后有一点点的突兀。而在绘本里边,爸爸说了一句,Yes, we have lots of fun. 这个fun 其实在整篇文章是起了一个非常重要的一个作用,一个点睛的作用。我们能否对这个分层的作业做一点点的修改。比如说张老师提出的是write a letter to your dad,这一个是比较泛的作业。孩子们以什么视角如何去切入。假如我们可以把它换成这样的一个形式,大家觉得是否合适?比如说what fun do you have with your dad,or with your mom, or with your parents, 那这样子的话,我们能够追求深层的也是真实的一个深层。
我还要讲最后一点建议,那就是落实教学评一体化的问题。
我觉得还可以从what makes a good dad 做一个最后评价的考核表。老师可以列出一些选项,让学生来选择好爸爸的一个标准,看看孩子们对爸爸的标准。在他读这个绘本前跟绘本后是否有一定的改变,他的选择的意向等。第二点就是我们也可以去鼓励学生总结更多的人物的特征和品格,来去讲述一个好爸爸的标准。
中山市教育教学研究室小学英语教研员 辛健
本堂课体现了主题引领,语境创设,意义渗透,情智体验,思维发展的绘本教学理念,实现了内容、语言与思维的统一。绘本读前,教师通过设置超市购物的场景引出sale 的话题,帮助学生做好语言铺垫,理解关键词for sale 的意义。同时关注字母a 在单词中的发音,教会学生拼读单词的方法。绘本读中设置了五项听读输入的活动,引导学生学习绘本内容,同时还融入了句型you like doing 的学习。读后设置了read and share 和think and say 的语言输出活动。
本堂课主要有以下三个亮点。
第一个亮点是体现绘本主题引领下的育人价值。
本绘本的主题是理解父亲的辛苦和伟大,主题贯穿于阅读前、阅读中、阅读后的各个活动中。在最后的think and say 的语言输出活动中,提炼升华出了our dad is the best dad in the world。he's trying best. and we should try together with dad 的主题意义,实现的育人目标。
本节课的第二个亮点是通过层层递进的问题链,加强学生与文本的深层互动,激发情绪体验。
教师通过设置who are in the story。who wants to sell dad? why does the boy want to sell dad? what should the boy say to dad? why is there a change to the boy‘s idea towards dad? what fun do they have together?等问题引导学生层层梳理文本,代入角色,体验角色的感受,理性思考角色的变化,从而加强学生情感与智力体验。
本课的亮点三,注重学生高阶思维能力的培养。
教师巧设疑点,引发认知冲突。封面学习中,教师提出but today there's something special for sale, 引导学生带着疑问和思考进入绘本学习。读中教师呈现的best dad in the world 的形象,与小男孩向sell dad 的想法形成冲突,引发学生思考,从而发展学生的逻辑思维。读后,教师引导学生留意观察墙上的女士的照片,从而推测出dad is not being dad,让学生认识到父亲独自一人抚养小男孩的不易以及父亲的伟大,帮助学生深入理解绘本的内容和主题意义。
针对本节课,个人提出一些小的建议,主要有三点。
第一,可以更多的关注绘本的封面信息。除了标题这一重要信息以外,绘本的封面,图片中的人物,环境因素等也可以作为学生预测故事内容的依据,建议教师在日常开展绘本教学中,可引导学生结合封面提供的显性和隐性信息,充分预测故事内容。
第二,建议可以利用思维导图等工具梳理提炼故事内容,培养学生的语篇结构意识,并且尝试引导学生根据文本框架复述故事。
第三,联系学生生活实际,设置迁移创新类活动。比如结合绘本,可以尝试让学生分享日常生活中与父母发生冲突以及如何解决冲突的故事。
简爱英语读后感
简爱英语读后感:
Today, I saw it in one breath. Because of the teacher's recommendation, Jane Eyre was written by Charlotte Bronte.
The hero of the text, Jane's parents, because of wind and cold, both left the world. After Jane Eyre has been followed her aunt, and a wicked cousin John Reed often called Jane, always beat her covered all over with cuts and bruises.
Think of me, mom and Dad took me as a pearl in the palm, I am afraid there is a collision point.
Later, the hateful aunt sent Jane to a charity school. Inside the food is very poor, very little quantity, the clothes are very thin.
From small to large, I did not once hungry, not once, clothing is bad, are brand-name. I'm really happy compared to Jane eyre.
Jane graduated from school, but she worked as a teacher for two years at work, but she felt that it had been so empty that she longed for a free and carefree life,. So Jane found another job, a tutor. Met Rochester, that is, she was tutor, Schonfeld's master.
The two fell in love, but when Jane was about to become a bride in Rochester, she knew that Rochester was married and that her wife was a woman maniac. Jane Aichen succumbed to blow away
Finally, Jane Eyre and Rochester finally together.
After reading the book. Jane Eyre for free life respected, her self-esteem, although beauty is not outstanding, but her heart is good is the most white. Of course, God does not live up to Jane eyre. It made Jane love a good love. With an unexpected fortune.
Once again, I am too insignificant. I'm selfish. I remember once, my favorite clothes are small, and my mother said I could give it to my sister, but I would never die. So far that dress is still at home! I'm really hateful. I regret it.
译文
今天,我一口气就看到了。由于老师的推荐,《简爱》是夏洛特·勃朗特写的。
文中的主人公简的父母,因为风寒,都离开了这个世界。继简爱之后,她的姨妈和一个叫简的坏表妹约翰·里德(John Reed)总是殴打她,浑身都是伤痕和瘀伤。
想想我,爸爸妈妈把我当作掌心的一颗珍珠,恐怕有一个碰撞点。
后来,可恨的阿姨把简送到了一所慈善学校。里面的食物很差,数量很少,衣服很薄。
从小到大,我一次也没饿,一次也没有,衣服不好,都是名牌。与简爱相比,我真的很开心。
简从学校毕业了,但她在工作中当了两年教师,但她觉得这是如此空虚,以至于她渴望自由和无忧无虑的生活,。所以简找到了另一份工作,一个家庭教师。遇见罗切斯特,也就是说,她是肖菲尔德的导师。
两人坠入爱河,但当简即将成为罗切斯特的新娘时,她知道罗切斯特已经结婚了,她的妻子是一个女人狂。简·艾琴被吹走了
最后,简爱和罗切斯特终于在一起了。
读完这本书之后。简爱对自由生活的尊重,她的自尊,虽然美不出众,但她的心是善良的,是最白的。当然,上帝没有辜负简爱。这让简爱上了一段美好的爱情。意外的幸运。
再一次,我太微不足道了。我很自私。我记得有一次,我最喜欢的衣服很小,我妈妈说我可以把它给我妹妹,但我永远不会死。到目前为止,那件衣服还在家里!我真的很讨厌。我对此感到遗憾。
急求洛娜.杜恩的读后感
高分悬赏...希望各位帮帮忙...英语的500字...如果是中文的400字...先谢谢了...如果满意我会再加分的...Based on the best-selling classic novel by R. D. Blackmore, Lorna Doone is a poetic, romantic, and adventurous tale of forbidden love, compassion, and the strength that spans the gulf of hatred to find one man's soul. The tale begins on a somber note. There is trouble in the wind for England, as with the King's death, there will be a dispute over whom is to rule the crown, his heir or illegitimate son. However, this tension does not reach into the countryside, where much more prominent issues are pressing upon the nobility and peasant alike… namely, a band of notorious and brutal outlaws made up of the Doone family. Once noble and possessive of great lands and titles, they are now reduced to pillaging and thievery to satisfy their voracious appetites. And when one young boy's father is murdered in cold blood by Carver, the heir to the ring of cruelty and bloodshed, the lad, John Ridd, swears revenge.
Now laden with the responsibilities of manhood, John strives to provide for his family, and in doing so encounters a dark-haired and mysterious girl named Lorna. Their brief but sweet encounter leaves a lasting impression, even through the years, until one day, John decides to seek her out once more. She is reluctant in his company, but he is persistent, until she reveals the reason for her apprehension… namely, that she is a Doone, and sought by Carver as his wife. John's hatred for the family drives him away, but he finds himself strangely drawn back again, and what follows is a sweet romance. However, all is not well in the Doone Valley. Carver finds Lorna sufficient of age, and demands that they be married as soon as possible. His grandfather, and Lorna's guardian, puts off the match, somehow hoping that she will find love and not lust in marriage.
But Carver is not to be dismissed, and knows that when Sir Ensor dies, there will be nothing to stop his marriage to Lorna. In the meantime, John's uncle has been beaten, flogged and robbed by the Doones, and seeks revenge. John, as the witness and provider for the family, is called away to London without warning, and must find a chink in the cruel hearts of British leadership. But his stay may be longer than he’d thought, and Lorna's defender is on his deathbed. What will emerge from this nest of passions and deceptions is an astonishing and somehow bewitching story of courage, family, and love with only a few minor caltrops that line the way.
The romance between John and Lorna is a pure one, kept to a couple of passionate kisses. Carver's intentions are not so chaste, and he makes that plain. His obsession goes too far, but he never once misuses her, save for a forced kiss and veiled threat. A highwayman-turned-honest flirts with John's younger sister, and John confronts him, saying that she is not “some barmaid to be seduced and left by the roadway,” but the man's intentions are honorable, and they are happily married soon thereafter. John is faithful to Lorna even when a twist of fate pulls them temporarily apart. Language is extremely minimal, with one or two inappropriate uses of “God,” and several of “d*mn.”
Violence, however, is prevalent, and although the film is rated TVPG (available through A&E home video), I would press it into the PG-13 criteria. There are several violent and implied battles (with very little blood), fistfights, and a scene in which John is forced to travel through a battlefield strewn with bodies. (A bloodied stump is shown, but makes up the worst of the gore.) The Doones attack the farm in order to regain Lorna, and struggle with some of the women. Several people are shot and/or threatened by gunpoint at close range, and Carver is once quite rough with Lorna. A character commits suicide by allowing himself to drown in a bog. A beheading is also made apparent, although we merely see the man being lead up to the platform, and then the sound of an axe coming down. (Wealthy socialites in London also cheer as traitors are pronounced to be “hung,” or “beheaded.”)
Moral values are highly praised in this film. Lorna stops John from killing Carver early in the film by telling him that he would be the same as Carver—a cold-blooded murderer. John's compassion is shown again later, when he attempts to save one of his enemies from the bog. However, he is not afraid to stand up for what he believes, and fights against the Doones when threatened. Sex is never implied, nor is impropriety, and even Carver passes up other women for his obsession with having Lorna. The bad guys are bad, the good guys are good, and each side is clearly defined; no shades of gray, but blunt and point lessons of honesty and truth are driven home. The acting is excellent, the quality surprising for the BBC, and the cast explosive and charismatic on-screen, especially eighteen-year-old Amelia Warner in the title role.
It is a pity that God was never mentioned as Lord and Savior in a story so full of unexpected twists and turns, gorgeous costuming, breathtaking landscape, and spine-tingling suspense, but as it stands, Lorna Doone is a surprisingly good—and surprisingly clean—feast for the eyes.
2
I N Exmoor, in the county of Somerset, in the year of grace 1661, dwelt the outlawed Doones, who, huge and brutal, defied king and common, committed brazen robberies with impunity, and took refuge after every outrage in the well-nigh impregnable Glen Doone. On the near-by farm of Plover's Barrows dwelt John Ridd, a great-limbed lad who had been summoned home from boarding-school in his teens to learn that his father, a wealthy farmer, had been slain in a night raid by the Doones. John, blunt and honest, was kind to his mother and his two sisters, did his share of the farm-work, and, as he grew to manhood, learned to ride a horse and shoot a blunderbuss with unfailing skill.
One day, while yet a boy, his fishing excursions in Bagworthy Water led him to discover an entrance to Glen Doone, so secret, so re-mote that the robber band stationed no guard there, never dreaming that living soul would discover it. Following a little cascade, John emerged at last into a dell blooming with primroses, and beheld with amazement a beautiful child of eight with hair like a black shower and eyes full of pity and wonder. Her name (pretty, like herself) was Lorna Doone, and John often had her in his thoughts through the six years which followed. He was twenty then and Lorna fourteen, and already John Ridd knew that he loved her, that fate had decreed it so and that all the world was naught when weighed against this girl.
To be found in Doone Valley spelled death for any man, but the thought of Lorna, "light and white, nimble, smooth, and elegant," filled John with yearning and lured him to the hazard. Again and again he sought the maid in the primrose bower above the cascade, and then one afternoon in the splendor of an April sunset John once more threw down the gauntlet which love ever casts 'at danger. To Lorna's tremulous, "You are mad to come; they will kill you if they find you here," John smiled and thought her fairer than the primroses amid which she stood. She lived in constant fear, she confessed, for the gigantic and passionate Carver Doone openly paid her homage and glowered with jealous eyes at any man who durst cast a glance at her.
"I care naught for him or his jealousy," cried John Ridd. "I have loved you long, as child, as comely girl, and now as full-grown maiden. I love you more than tongue can tell or heart can hold in silence." Lorna raised her glorious eyes and, flinging her arms about his neck, cried, with her heart on his : "Darling, I shall never be my own again. I am yours forever and forever." But before he went she was in tears. "How dare I dream of love? Something in my heart tells me it can never be."
That fear of his beloved's spurred John to penetrate into Glen Doone one night at the risk of his life for word of Lorna. Once a guard leveled his gun at him, but went off cringing at the thought that, after all, so huge a form could be only that of Carver Doone.
It was a real danger which threatened Lorna, for old Sir Ensor Doone, head "of the robber crew, lay dying, and he alone had been her protector against the brutal Carver.
For John to play a desperate game and carry Lorna off would but incite the Doones to wreak revenge upon the countryside with fire and sword. At times he swore to smoke out this nest of rascals, but the timid farmers, overawed by their savagery, would promise no support.
Meanwhile an unparalleled winter had set in. Day after day the snow fell steadily and, blown by the wind, almost smothered the low-eaved cottages. Desperate for some word of Lorna, John made his way on snowshoes into the very heart of Glen Doone, unobserved in that feathery fog. John found Lorna's hamlet, stifled her exclamations of surprise with kisses, and felt his heart swell with anger on learning that she and her maid, Gwenny Carfax, were kept in confinement and deprived of food by order of Carver Doone until Lorna should consent to be his wife. Not for naught was John Ridd a giant-and in love. Throwing discretion to the winds, he carried Lorna and Gwenny away upon his sledge that very night to the warm refuge of his mother's fireside.
The Doones, though so openly set at de-fiance, bided their time. With spring the roads were open, and one moonlight night, with an arrogance worthy of Carver, they attacked Plover's Barrows in force. John Ridd, nothing daunted, defended his fireside and loved ones with spirit, meeting the attackers squarely with a handful of men and putting them to speedy flight. A murderous attack by the Doones was bad business enough, but to John's honest soul a worse trouble followed.
His Lorna was discovered to be no true Doone, but the niece of the great Lord Dugal, kidnapped as a child. To London and the protection of her noble uncle she was summoned, her heart as well as her lover's torn by the separation. The thought that he might never again behold his Lorna plunged him into misery.
"After all," he asked himself, "who am I but a simple farmer who dares lift his eyes to the niece of an earl?"
But this was no time for repining, for the ill-starred rebellion of Monmouth flamed out, catching John Ridd, innocent though he was, in its toils. But all came to a happy issue when John, summoned to London, frustrated the intended murder of Lord Dugal, captured the attackers, and turned them over for punishment to the terrible Lord Jeffreys.
Events moved swiftly: his exploit made Lon-don ring, he was knighted by King James, and when the Earl of Dugal died soon after, a well-directed bribe secured Jeffreys's per-mission to let Lorna, his ward in Chancery, wed the redoubtable Sir John Ridd.
Back to Exmoor and Plover's Barrows went John Ridd, knight, to lead the farmers of the countryside, who, infuriated by a new outrage committed by the Doones, took the law into their own hands and swept the robber stronghold clean with fire and sword. Only the scheming old "Counselor" and his son, the brutal Carver, escaped a bloody death.
Now at last the great day dawned for John and Lorna, and they made their way to the little country church to be wed, while all the neighboring farmers came to applaud the event. Scarcely were the sacred words pronounced when a shot rang through the church and Lorna, her dark eyes drooping, her wedding-gown stained with blood, sank into her husband's arms. John Ridd never forgot the agony of that moment and yet he seemed strangely calm. Only Carver Doone could have done this dastardly deed, and as John dashed off in hot pursuit he swore that the world was too narrow a place to harbor him and his enemy another day. For Carver on his jaded horse there was no escape. His pistol missed fire, and' at last in a narrow de-file flanked by a wood and a stretch of bog the two men came to grips. They spoke little and that grim duel was fought with neither knife nor pistol, but body to body as became two giants.
John felt a lower rib crack beneath Carver's terrible embrace, but his iron hand ripped the muscles of his assailant's arm from the bone like an orange pulp and he flung him, crushed and bleeding, upon the ground. In an instant the black lips of the bog fastened upon Carver's huge limbs, swiftly, silently, and John Ridd had scarce time to get his own feet upon firm soil before his enemy was sucked down into those grim depths, his face distorted with agony, but his quivering lips uttering no sound.
Love's true course does not always run awry and both John and Lorna recovered, he to worship her and she to assure him through the serene years with eyes and lips all eloquent, "I love you, John Ridd."
3
Lorna Doone" is a good picture, although there are no particularly outstanding situations in the plot: it contains nothing that other good pictures do not possess. But because the plot has been founded on so well-known a book, by so famous an author as R.D. Blackmore, it should give far better satisfaction than pictures of similar quality that are based on an original scenario; people become fascinated in seeing the characters of a book they love take flesh and blood, and in going over situations they have visualized.
The story unfolds in the days of English Knighthood and banditry, and deals with a heroine, the King's ward, who, while traveling with her mother, is stolen by bandits. She was then a mere child. She is reared by the bandit leader who, as the years go by, feels more and more affection for her. She accidentally comes upon the hero, a peasant, with whom she had become acquainted in her childhood days, and whom she had never forgotten. The hero eventually rescues her from the hands of the bandits, one of whom was bent upon marrying her. When messengers from the King come to take the heroine away, for the first time it becomes known to the hero that the girl he loves is of Royal blood. But, toward the end, the heroine renounces her titles and follows the dictates of her heart.
4
f we might venture to use commercial language in connection with wares so fragile, we should be disposed to say that, at this moment, novels are dull. The fact is not unusual in a literary sense, but the season seems to be so unusually unpropitious, that we find ourselves concentrating our attention upon a novel which is not new, which has somehow managed to get through its first three-volume stage without attracting any particular notice, but which now, in a cheap edition, has mysteriously asserted itself and taken the world by storm. 'Lorna Doone' has several disadvantages that might s well discourage the ordinary reader. It is very long, it is historical, and it is extremely minute in all its details. Something of the elaboration of a child's story of country-life — its love of details simply as details, its narrative of every walk taken, and every change of season — encumbers the tale; but all these details, or almost all, contribute to the making up of so wonderfully harmonious and real a whole, that its historical date is lost in the truth of its actual life, and we cease to be conscious that there is anything antiquarian in the manners depicted.
The historical novel proper is seldom a very satisfactory production; but there is more than one way by which its disadvantages can be neutralised. One of these methods of making an old-world tale as real to us as if it had happened in our midst, Thackeray has made use of in the story of 'Esmond,' the skill of which is simply extraordinary. It is an unpleasant story, but the workmanship is so exquisite that we can but stand and gaze at it in wonder. It has the air of a book written not in this but the previous century. The present, no doubt, intrudes into it by moments; but as a whole it reads as the sketches of the 'Spectator' read — like a book really belonging to the period it describes. The charm of 'Lorna Doone' is not of this kind. The scene is laid in wild Exmoor, in that dreary period of history which embraces the end of Charles II's reign, and the beginning of his unfortunate brother's — as unattractive an age as can be imagined. But there is no antiquarianism about it. "Why, here arc men with helmets!" we heard a reader say, looking with visible dismay at the frontispiece. But the fact is, the men in helmets occupy so little space in the story, and the life, of the farmhouse in which the scene is laid is so entirely simple and true, that one forgets it is not of one's own age. Perhaps, for anything we can tell, people live at the present day in Exmoor as people lived in the days of Great John, otherwise Grit Jan, Ridd. There seems no particular reason why it should not be so; for it is a real life that is set before us — not certain tricks of manner which pass away, but an absolute living, such as changes but little from century to century. Even the melodrama with which the book is full comes natural. We may here and there make a faint objection to it, as in the case of the villain of the piece, who is a very big and a very black villain indeed; but there is nothing him which strikes us, as monstrous in the existence of the robber clan in the midst of these wild and peaceful solitudes.
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