Today, I read with relish a well-known British writer Oscar Wilde book "The Happy Prince." Prince and Swallow book selfless, so my soul be touched and shocked.
Happy Prince statue originally stood in the city center, his body encrusted piece of pure gold, and his eyes are two bright sapphires, there is a big ruby in the hilt on his hand upon her shining. Can to help poor people, who help in the Swallow, the film of pure gold and precious stones to give the people in need. Finally, little Swallow, frozen to death, while the Happy Prince has been removed due to dilapidated. They will be in the public statue of The Little Prince melts into the fire, the little prince how will melt the heart can not afford to, people he put the heart and the golden prince died of the Swallow are thrown in the trash. Although the appearance of the little prince is a statue, the heart is made of lead, but there is a pure heart, genuinely good. However, I can not, I fear of hardship, fear of pay, usually, in learning more afraid of repeated practice, do not want to delve into, so every time examination results are not satisfactory. I hope we learn from the Prince a good heart.
额，不知道你能看懂不，我给翻译吧
今天，我津津有味地读完了英国著名作家王尔德所著的《快乐王子》。书中的王子和小燕子的无私，使我的心灵受到触动与震憾。
快乐王子的塑像本来立在市中心，他身上缀满了纯金箔片，他的眼睛是两粒闪亮的蓝宝石，还有一颗大大的红宝石在他手捏着的剑柄上闪闪发光。可为了帮助穷苦的百姓，他在小燕子的帮助下，把纯金箔片和宝石送给了需要帮助的人们。最后，小燕子冻死了，而快乐王子也因破烂不堪而被拆除。在市民们将小王子的雕像放进火里融化时，小王子的心怎么也融不掉，人们便把小王子的心和那只死了的小燕子都扔进了垃圾箱。虽然小王子的外表是一座雕像，心也是用铅造的，但他内心深处却有一颗纯真，善良的真心。可是，我却做不到，我怕吃苦，怕付出，平时，在学习上就怕反复多练，不愿深入钻研，所以每次考试成绩都不理想。 我希望大家学习快乐王子的一颗善良的心.
希望能帮到你，要是答案还满意的话，记得采纳哦，O(∩_∩)O谢谢~！

　　读完了一篇名叫《快乐王子》的童话故事，读完之后，深深地被快乐王子和小麻雀为了帮助别人，完全不顾牺牲自己的精神所感动。下面是我精心为您整理的“《快乐王子》读后感400字”，仅供参考，希望您喜欢！更多详细内容请继续关注我们哦。

　　《快乐王子》读后感400字1

　　文中结束了生之欢愉、死后悲悯世人的王子，絮絮叨叨真诚善良的小燕子，俗不可耐趋炎附势的大小官员，日夜挣扎难见光明的穷苦人们，共同构成的一段故事。

　　这段故事就像快乐王子身上的一片金叶子或一粒蓝宝石，曾长久地在我内心某处闪闪发光。而这一次的重读，是在唤醒记忆，更是在涂抹新的光彩。

　　快乐王子在死后改变了自己的高度，也断然否定了过去的自己。他不再快乐，他很痛苦，因为他发觉原来世界并不是逍遥自在的王宫，原来自己过去的快乐是那样没心没肺。世界观的颠覆是可怕的，王子付出的代价是粉身碎骨。但也许对他来说，真实的痛苦好过虚假的快乐。

　　在快乐王子不再快乐的生活中，实际上帮助他人也没有给他带来快乐，因为他已经知道，丑恶太多，贫穷太多，痛苦太多，忧伤太多，他的力量实在是太有限太渺小了。但他必须做，哪怕个人的力量再微薄，为别人做一点就比不做好。

　　在生活中，可能有许多快乐是因为无知，因为懵懂。就如人生中永不能复来的童年，让人一生留恋的不就是那份茫然无知、所以无畏的快乐吗？

　　可是渐渐长大了，就必须勇敢地接受生活中的种种痛，宁愿选择清醒的痛楚，也不要在自己或别人的围墙内麻痹了自己真实的感觉。接受，然后面对；改变，或许被改变。

　　如果你的快乐是真实的，请珍惜它，呵护它，哪怕它像入口即化的冰激淋，甜在舌尖也只一瞬；如果有份痛苦是真实的，是成长必须经历的挣扎与痛，那也请珍惜它，呵护它，哪怕它会像一把锯着心灵的钝刀，痛在心里绵长而细密。都是好的，五味俱全才是生活，只要你拥有自己真实的感受，就是好的。

　　《快乐王子》读后感400字2

　　暑假两个月的时间，我几乎在钢琴课、书法班来回穿梭，偶尔有时间拿到我喜欢的书，我便会贪婪地啃起来。一个偶然的机会，我邂逅了《快乐王子》，当我读到那些触动心灵的文字时，我觉得我已经欲罢不能了

　　童话《快乐王子》没有太多的优美词句，书里叙述的是一位快乐王子，活着时从不知道忧愁和贫穷是什么，在他死后，被塑成雕像站在城市的上空时，却看到了城市中的一切丑恶与苦难。于是，他拜托小燕子把自己身上所有值钱的东西全送给了穷人。后来，小燕子被冻死了，快乐王子也因心碎死去，但他们永远地生活在天堂中了。

　　王子死后所做的一切，深深感动了我。是什么让他和燕子站在了一起？是爱，是对弱者的同情心。俗话说的好，“赠人玫瑰，手有余香。”你帮助了别人，自己同样也会感到开心。在生活中，我也尽力那么做。

　　我印象最深刻的，是我帮数学老师的女儿青瑶买书皮。那一天，我抓紧时间做好了自己的事情，然后就直奔书店。那一天书店没啥人，我想正好可以好好挑选一番了。同样是女生，但是我们性格决然不同，我一开始拿了几张候选的，然后再从中挑出我认为方便、实用百搭又好看的书皮买下来。我清楚的记得那天xx拿到书皮后，那脸上的俩酒窝都可以放豆子了。她要给我钱，我压根没想要，几块钱能买到快乐，值！

　　我知道我永远无法跟快乐王子相提并论，但是，我会继续做一个好人，我也愿意带动更多的人。我轻轻地合上《快乐王子》，靠着窗，我发现几对燕子在不远处的电线杆上，自由自在的嬉戏。

　　《快乐王子》读后感400字3

　　我津津有味地读完英国著名作家奥斯卡.王尔德所著的《快乐王子》，被书中的王子和小燕子深深感动。

　　“快乐王子”的塑像本来立在市中心，本来身上缀满了薄薄的纯金箔片，他的眼睛是两粒闪亮的蓝宝石，一颗大大的红宝石在逃剑柄上闪闪发光，可为了帮助清苦是我人们，他在小燕子的帮助下，把纯金箔片和宝石送给了需要帮助的人们。最后，小燕子冻死了，而快乐王子也破烂不堪了，最后被拆除了。虽然他们最终死了，但他们始终是快乐的。因为他们给别人快乐时，自己也得到了快乐。

　　我从快乐王子身上，不禁想到默默耕耘、无私奉献的老师在桃李满天下时是最快乐的，中国女排的姑娘们在顽强拼搏后得到冠军，不仅给祖国和人民挣得荣誉，自己也流下了快乐的泪水。我经过5年的勤奋练琴，终于通过钢琴七级考试的时候，也是最快乐的。

　　快乐是付出中得到的，你付出得越多，你得到的快乐越多。让我们每个人都快乐地生活。

　　我的收获：向王子一样，学会付出，即使最后死去，仍然有快乐。

　　《快乐王子》读后感400字4

　　快乐是什么？快乐是无忧无虑的生活，快乐是自由自在的享受。真正的快乐，是别人快乐时，自己才会快乐。

　　一座高高耸立在城市上空，外表雍容华贵的王子雕像目睹了所有的贫苦与丑恶，他牺牲自己，换来穷苦人们的幸福和快乐。而为他们传递快乐的小燕子一次又一次放弃了南飞的机会，在给穷人送去快乐后冻死在了北方。王子雕像也因为不再漂亮而被拆除，和燕子一起，被扔进了垃圾堆，他们最终永远在一起了。

　　快乐王子在生前是那么快乐，无忧无虑，看不见那些丑恶的东西，他快乐的活着，快乐地死去。可他现在看到了这世界并不快乐。

　　小燕子和王子为了别人的幸福牺牲了自己，虽然是这样，但他们却懂得了快乐的真谛，并永远快乐。

　　快乐很珍贵，想要得到它，就要付出代价，正如快乐王子，用自己的生命换来的仅仅是几个人的快乐，虽不能帮助所有人，但自己却得到了快乐的永恒。

　　小燕子和王子无私的献出了自己的一切去寻找快乐，传递快乐，让每一个人都快乐。确实，看到故事的结局，我有一些悲伤，为这丑陋、肮脏、污垢的世界感到悲伤，但同时又为这丑陋的世界能有如此纯洁的心灵感到快乐。我想我已经懂得了快乐的真谛。

　　爱心和善良冲刷了私心杂念的尘垢。像金子一般闪耀，像水晶一般纯洁。当我们拥有时，就能收获真正的快乐与美丽……

　　《快乐王子》读后感400字5

　　他是王子，身上绚烂夺目，眼睛像清水河畔的紫罗兰，嘴唇像红色花瓣。

　　在以前映入眼帘的是快乐，是笑与甜，后来，他看的越来越远，越来越悲伤，他看到了为生活而担忧的穷人，为住处而烦恼的流浪汉……他为了救济穷人，把金叶子做的外衣，宝剑上的红宝石，甚至是蓝宝石眼睛，他都毫无保留的送给了穷人，但最后他那丑陋的外表让人们厌恶，被丢进熔炉。

　　他，就是快乐王子！

　　快乐就是开心吗？是幸福吗？不，快乐王子的快乐更在于是奉献！

　　他本是一个华丽的王子，但一个个痛苦不堪的穷人映入他的眼帘时，他是怎么做的？奉献！他不在乎自己的荣华富贵，将身上的一切，都奉献给那些需要帮助的人。

　　这是一种美丽的精神。

　　在汶川大地震时，那些勇敢的志愿者便是如此。他们在炎日的照射下，搬开一道道钢筋，翻开无数片石板，拯救了无数条生命。

　　他们是好样的，为了那些生命，身上却覆盖着圣洁的白花。不管是忧伤，还是美丽，那就是生活……

傲慢与偏见
The novel opens with the famous line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.". and ends with two marriages: Jane and Bingley's, as well as Darcy and Elizabeth's. Both couples are assumed to live happily ever after.
Elizabeth (Lizzy) Bennet is the core of the family. Elizabeth is the second of Mr. and Mrs. Bennet's five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. In addition to being her father's favourite, Elizabeth is characterized as a sensible, yet stubborn, woman. Misled by his cold outward behaviour, Elizabeth originally holds Mr. Darcy in contempt. However, she finds that Mr. Darcy improves on acquaintance, more so than she would expect.
Fitzwilliam Darcy (commonly known as Mr. Darcy) is the central male character and Elizabeth's second love interest in the novel. He is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. Initially, he considers Elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for Elizabeth. His initial proposal of marriage is rejected because of his pride and Elizabeth's prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving Elizabeth.
Role of women in the 18th century
In late-18th-century England, women were relegated to secondary roles in society with respect to property and social responsibilities. For example, women were not permitted to visit new arrivals to the neighbourhood (such as Mr. Bingley in Pride and Prejudice) until the male head of their household had first done so. Women were under enormous pressure to marry for the purpose of securing their financial futures and making valuable social connections for their families. Therefore, marriage, though romanticised, was in many ways a financial transaction and social alliance rather than a matter of love. Although Jane Austen did not condone loveless marriages (she stayed single all her life), she did approve of matches having equality in various respects, including wealth, social status, love and character. In Pride and Prejudice, wealth, social status, chastity (and the perception of chastity) and physical attractiveness are depicted as factors affecting a woman's chances for a good marriage.
了不起的盖茨比
Published in 1925, The Great Gatsby became an immediate classic and propelled its young author to a fame he never again equalled. The novel captured the spirit of the "Jazz Age," a post-World War I era in upper-class America that Fitzgerald himself gave this name to, and the flamboyance of the author and his wife Zelda as they moved about Europe with other American expatriate writers (such as Ernest Hemingway). However, Gatsby expresses more than the exuberance of the times. It depicts the restlessness of what Gertrude Stein (another expatriate modernist writer) called a "lost generation." Recalling T. S. Eliot's landmark poem "The Wasteland" (1922), then, Gatsby also has its own "valley of ashes" or wasteland where men move about obscurely in the dust, and this imagery of decay, death, and corruption pervades the novel and "infects" the story and its hero too. Because the novel is not just about one man, James Gatz or Jay Gatsby, but about aspects of the human condition of an era, and themes that transcend time altogether, it is the stuff of myth. Gatsby's attempts to attain an ideal of himself and then to put this ideal to the service of another ideal, romantic love, are attempts to rise above corruption in all its forms. It is this quality in him that Nick Carraway, the novel's narrator, attempts to portray, and in so doing the novel, like its hero, attains a form of enduring greatness.
The novel is narrated in retrospect; Nick is writing the account two years after the events of the summer he describes, and this introduces a critical distance and perspective which is conveyed through occasional comments about the story he is telling and how it must appear to a reader. The time scheme of the novel is further complicated as "the history of that summer" of 1922 contains within it the story of another summer, five years before this one, when Gatsby and Daisy first courted. This is the story that Jordan tells Nick. As that earlier summer ended with Gatsby's departure for the war in the fall, so the summer of Nick's experience of the East ends with the crisis on the last hot day (the day of mint juleps in the hotel and Myrtle Wilson's death) and is followed by Gatsby's murder by George Wilson on the first day of fall. This seasonal calendar is more than just a parallel, however. It is a metaphor for the blooming and blasting of love and of hope, like the flowers so often mentioned. Similarly, the novel's elaborate use of light and dark imagery (light, darkness, sunshine, and shadow, and the in-between changes of twilight) symbolizes emotional states as well.
红字
The Scarlet Letter attained an immediate and lasting success because it addressed spiritual and moral issues from a uniquely American standpoint. In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.[6] Another consideration to note having to do with the book's popularity is that it was one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of "The Scarlet Letter," 2,500 volumes, sold out immediately, was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.
远离尘嚣
Much of the plot of Far from the Madding Crowd depends on unrequited love — love by one person for another that is not mutual in that the other person does not feel love in return. The novel is driven, from the first few chapters, by Gabriel Oak's love for Bathsheba. Once he has lost his farm, he is free to wander anywhere in search of work, but he heads to Weatherbury because it is in the direction that Bathsheba has gone. This move leads to Oak's employment at Bathsheba's farm, where he patiently consoles her in her troubles and supports her in tending the farm, with no sign he will ever have his love returned.
This novel focuses on the way that catastrophe can occur at any time, threatening to change lives. The most obvious example occurs when Oak's flock of sheep is destroyed by an unlikely confluence of circumstances, including an inexperienced sheep dog, a rotted rail, and a chalk pit that happens to have been dug adjacent to his land. In one night, Oak's future as an independent farmer is destroyed, and he ends up begging just to secure the diminished position of a shepherd.
This novel offers modern readers a clear picture of how important social position was in England in the nineteenth century and of the opportunities that existed to change class, in either direction. In the beginning, Oak and Bathsheba are social equals: he is an independent farmer who rents his land, and she lives on her aunt's farm next door to his, which is presumably similar in value. The only thing that keeps her from accepting his proposal of marriage is the fact that she just does not want to be married yet. After Oak loses his farm and Bathsheba inherits her uncle's farm, there is little question of whether they can marry — their social positions are too different. She is more socially compatible with Boldwood, who owns the farm next to hers and is in a similar social position.