雪莱--月光变奏曲的赏析恰似紫罗兰的温柔的眼睛，凝视着湛蓝的天空，直至那色泽变得与目光相同，。。。。。，恰似一个甜蜜动人的曲调，覆盖了周围的轻风...
雪莱--月光变奏曲的赏析
恰似紫罗兰的温柔的眼睛 凝视着湛蓝的天空 直至那色泽变得与目光相同 。。。。。 恰似一个甜蜜动人的曲调 覆盖了周围的轻风 直至无声的轻风也变成乐曲 ------- 雪莱 《月光变奏曲》 如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。 象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。 人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊---- 其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。 苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。 瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？ “纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。 “蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。 “干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。 对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。 刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
雪莱--月光变奏曲的赏析
恰似紫罗兰的温柔的眼睛
凝视着湛蓝的天空
直至那色泽变得与目光相同
。。。。。
恰似一个甜蜜动人的曲调
覆盖了周围的轻风
直至无声的轻风也变成乐曲
------- 雪莱 《月光变奏曲》
如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。
象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。
人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊----
其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。
苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。
瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？
“纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。
“蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。
“干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。
对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。
刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
凝视着湛蓝的天空
直至那色泽变得与目光相同
。。。。。
恰似一个甜蜜动人的曲调
覆盖了周围的轻风
直至无声的轻风也变成乐曲
------- 雪莱 《月光变奏曲》
如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。
象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。
人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊----
其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。
苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。
瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？
“纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。
“蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。
“干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。
对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。
刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
雪莱的《月光变奏曲》
这首诗是分几层进行写的？每一层都用了什么样的修辞手法？这首诗表达了作者怎样的情感？快！！！恰似紫罗兰的温柔的眼睛
凝视着湛蓝的天空
直至那色泽变得与目光相同
。。。。。
恰似一个甜蜜动人的曲调
覆盖了周围的轻风
直至无声的轻风也变成乐曲
------- 雪莱 《月光变奏曲》
如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。
象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。
人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊----
其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。
苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。
瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？
“纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。
“蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。
“干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。
对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。
刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
凝视着湛蓝的天空
直至那色泽变得与目光相同
。。。。。
恰似一个甜蜜动人的曲调
覆盖了周围的轻风
直至无声的轻风也变成乐曲
------- 雪莱 《月光变奏曲》
如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。
象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。
人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊----
其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。
苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。
瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？
“纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。
“蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。
“干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。
对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。
刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
雪莱—《月光变奏曲》表达了什么思想感情？
恰似紫罗兰的温柔的眼睛 凝视着湛蓝的天空 直至那色泽变得与目光相同 。。。。。 恰似一个甜蜜动人的曲调 覆盖了周围的轻风 直至无声的轻风也变成乐曲 ------- 雪莱 《月光变奏曲》 如同无瑕的和田美玉，偏心的造物主把所能想象出来的声音的美完全赐给了自己的掌上明珠。 象月亮，沉静地孤单地留在广漠的寒宇，只洒下一片清冷的光，与地面上的喧嚣亲密接触，于是那热闹也阑珊了许多。 人们把刘广宁和童自荣演绎的王子公主看做世界上最完美的合作，是啊，一颗水晶就够耀眼了，现在两颗同时出现在面前，你怎能不把它们捧在胸前，仰望苍天，哽咽地喊：仁慈的上帝啊---- 其实，最完美的往往并不是最动人的，所以缺失双臂使维纳斯更具魅力。当刘广宁用她的声音演绎并不是公主的人物时，人们似乎从美玉的一丝裂纹上听到了自己的心碎裂的声音。 苔丝、玛拉：仿佛你用手心接下一片飘落的雪花，无奈地看着它消溶，化成泪滴。 瓦列尼娅：越把她绑起来越不象个奴隶。那是当然，有哪个奴隶敢回敬罗马卫队长一脸茶水？ “纳泰忒斯太胖了，他追不上我……”与斯巴达克思的意外重逢，使一路上逃亡的惊恐变成了清脆的笑声。 “蓝色树林，紫色海洋”，小鸟飞出囚笼，于是我看到遍野鲜花，嗅到了空气中弥漫的花香。 “干吗拿孩子威胁我？你是主人随时可以占有我。”只有平静，没有鄙夷，没有愤怒。为了斯巴达克思的儿子，母亲的心比父亲的肢体更早被钉上十字架。 对了,还有杰基，她用自己的方式追求所渴望的一切：金钱、权力、当然还有爱情。 刘广宁的声音从来没有这么“酷”过，那被掩盖的追求金钱和权力的欲望，那执行既定计划的一丝不苟，被波洛识破后的绝望与倔强。我的心都被这根僵直的琴弦拉出了血。
求一篇英文小说的读后感
Pride and Prejudice
Jane Austen began her second novel, Pride and Prejudice, before she was twenty-one. It was originally titled First Impression because the appearances of the characters created the plot of the novel. However, because the novel is also concerned with the effects of the character's first impressions, that is their prejudice, Jane found the title Pride and Prejudice more appropriate.
Pride and Prejudice, similar to other Jane Austen's novels, is written in gentle or Horacian satire. The main object of Jane's satire in the novel is the mercenary and the ignorance of the people, a common criticism of the 18th century. Characters in the novel which best carries these qualities are Mrs. Bennet, a foolish woman who talks too much and is obsess with getting her daughters married; Lydia Bennet, the youngest of the Bennet daughter who is devoted to a life of dancing, fashions, gossips and flirting; and Mr. Williams Collins, the silly and conceited baboon who is completely stupify by Lady Catherine in every aspect of his life that he has forgotten his own morals and duty. The tone of the novel is light, satirical, and vivid. Scenes such as Mr. Collins proposal to Elizabeth, and Lady Catherine visits to Lizzy at Longbourn, provides comic relief to the reader while at the same time revealing certain characteristics of the characters. For example, Lydia's lack of common sense and responsibility is revealed when she takes pride in being the first Bennet girl to be married. Lydia does not take into consideration the circumstance of her marriage, the personality of her husband, or the prospects of their marriage for the future. Elizabeth Bennet's ability to laugh off her misfortunate and to continue to be optimistic, considering her situation, also contributes to the tone of the novel. The point of view in Pride and Prejudice is limited omniscient; the story is told through Elizabeth, but not in first person. As a result, the mood of the novel lacks dramatic emotions. The atmosphere is intellectual and cold; there is little descriptions of the setting. The main actions of the novel are the interactions between opinions, ideas, and attitudes, which weaves and advances the plot of the novel. The emotions in the novel are to be perceived beneath the surface of the story and are not to be expressed to the readers directly. Jane's powers of subtle discrimination and shrewd perceptiveness is revealed in Pride and Prejudice; she is able to convey such a complex message using a simple, yet witty, style.
The main subject in the novel is stated in the first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Jane has cleverly done three things: she has declared that the main subject of the novel will be courtship and marriage, she has established the humorous tone of the novel by taking a simple subject to elaborate and to speak intelligently of, and she has prepared the reader for a chase in the novel of either a husband in search of a wife, or a women in pursuit of a husband. The first line also defines Jane's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his individual conditions. The use of satire and wit, a common form of 18th century literature, also contributes to label the book as 18th century. However, because Jane Austen had allowed personal feelings of the characters to be expressed in her work, she can also be classified as Romantic. In the figure of Elizabeth, Jane Austen shows passion attempting to find a valid mode of existence in society. Passion and reasons also comes together in the novel to show that they are complementary of marriage.
There are seven different marriages presented in the novel. Excluding the Gardiner and the Lucas, the remaining five marriages contrasts each other to reveal Jane's opinions and thoughts on the subject of marriage.
The marriage between Darcy and Elizabeth reveals the characteristics which constitutes a successful marriage. One of these characteristics is that the feeling cannot be brought on by appearances, and must gradually develop between the two people as they get to know one another. In the beginning, Elizabeth and Darcy were distant from each other because of their prejudice. The series of events which they both experienced gave them the opportunity to understand one another and the time to reconcile their feelings for each other. Thus, their mutual understanding is the foundation of their relationship and will lead them to a peaceful and lasting marriage. This relationship between Elizabeth and Darcy reveals the importance of getting to know one's partner before marrying. The marriage between Jane Bennet and Bingley is also an example of successful marriage. Jane Austen, through Elizabeth, expresses her opinion of this in the novel:
".really believed all his [Bingley] expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself." (Chapter 55)
However, unlike Darcy and Elizabeth, there is a flaw in their relationship. The flaw is that both characters are too gullible and too good-hearted to ever act strongly against external forces that may attempt to separate them:
"You [Jane and Bingley] are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income." (Chapter 55)
Obviously, Lydia and Wickham's marriage is an example of an bad marriage. Their marriage was based on appearances, good looks, and youthful vivacity. Once these qualities can no longer be seen by each other, the once strong relationship will slowly fade away. As in the novel, Lydia and Wickham's marriage gradually disintegrates; Lydia becomes a regular visitor at her two elder sister's homes when "her husband was gone to enjoy himself in London or Bath." Through their relationship, Jane Austen shows that hasty marriage based on superficial qualities quickly cools and leads to unhappiness.
Although little is told of how Mr. Bennet and Mrs. Bennet got together, it can be inferred by their conversions that their relationship was similar to that of Lydia and Wickham - Mr. Bennet had married a woman he found sexually attractive without realizing she was an unintelligent woman. Mrs. Bennet's favoritism towards Lydia and her comments on how she was once as energetic as Lydia reveals this similarity. Mr. Bennet's comment on Wickham being his favorite son-in-law reinforces this parallelism. The effect of the relationships was that Mr. Bennet would isolate himself from his family; he found refugee in his library or in mocking his wife. Mr. Bennet's self-realization at the end of the novel in which he discovers that his lack of attention towards his family had lead his family to develop the way they are, was too late to save his family. He is Jane Austen's example of a weak father. In these two latter relationships, Austen shows that it is necessary to use good judgement to select a spouse, otherwise the two people will lose respect for each other.
The last example of a marriage is a of a different nature than the ones mentioned above. The marriage between Mr. Collins and Charlotte is based on economics rather than on love or appearance. It was a common practice during Austen's time for women to marry a husband to save herself from spinsterhood or to gain financial security. However, Jane Austen viewed this as a type of prostitution and disapproved of it. In Pride and Prejudice, Jane Austen dramatizes this form of women inequality and show that women who submits themselves to this type of marriage will have to suffer in tormenting silence as Charlotte does:
"When Mr. Collins said any thing of which his wife might reasonably be ashamed, which certainly was not unseldom, she [Elizabeth] would involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear." (Chapter 28)
These five marriages contributes to the theme that a happy and strong marriage takes time to build and must be based on mutual feeling, understanding, and respect. Hasty marriages acting on impulse, and based on superficial qualities will not survive and will lead to inevitable unhappiness.
In Pride and Prejudice, Jane has denounced the elements of marriage and society that she found distasteful. These are the conclusions of her observation of the people in her world. However in her writing, Jane has also reflected her own enjoyment in life among these people with and without their faults.
Jane Austen began her second novel, Pride and Prejudice, before she was twenty-one. It was originally titled First Impression because the appearances of the characters created the plot of the novel. However, because the novel is also concerned with the effects of the character's first impressions, that is their prejudice, Jane found the title Pride and Prejudice more appropriate.
Pride and Prejudice, similar to other Jane Austen's novels, is written in gentle or Horacian satire. The main object of Jane's satire in the novel is the mercenary and the ignorance of the people, a common criticism of the 18th century. Characters in the novel which best carries these qualities are Mrs. Bennet, a foolish woman who talks too much and is obsess with getting her daughters married; Lydia Bennet, the youngest of the Bennet daughter who is devoted to a life of dancing, fashions, gossips and flirting; and Mr. Williams Collins, the silly and conceited baboon who is completely stupify by Lady Catherine in every aspect of his life that he has forgotten his own morals and duty. The tone of the novel is light, satirical, and vivid. Scenes such as Mr. Collins proposal to Elizabeth, and Lady Catherine visits to Lizzy at Longbourn, provides comic relief to the reader while at the same time revealing certain characteristics of the characters. For example, Lydia's lack of common sense and responsibility is revealed when she takes pride in being the first Bennet girl to be married. Lydia does not take into consideration the circumstance of her marriage, the personality of her husband, or the prospects of their marriage for the future. Elizabeth Bennet's ability to laugh off her misfortunate and to continue to be optimistic, considering her situation, also contributes to the tone of the novel. The point of view in Pride and Prejudice is limited omniscient; the story is told through Elizabeth, but not in first person. As a result, the mood of the novel lacks dramatic emotions. The atmosphere is intellectual and cold; there is little descriptions of the setting. The main actions of the novel are the interactions between opinions, ideas, and attitudes, which weaves and advances the plot of the novel. The emotions in the novel are to be perceived beneath the surface of the story and are not to be expressed to the readers directly. Jane's powers of subtle discrimination and shrewd perceptiveness is revealed in Pride and Prejudice; she is able to convey such a complex message using a simple, yet witty, style.
The main subject in the novel is stated in the first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Jane has cleverly done three things: she has declared that the main subject of the novel will be courtship and marriage, she has established the humorous tone of the novel by taking a simple subject to elaborate and to speak intelligently of, and she has prepared the reader for a chase in the novel of either a husband in search of a wife, or a women in pursuit of a husband. The first line also defines Jane's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his individual conditions. The use of satire and wit, a common form of 18th century literature, also contributes to label the book as 18th century. However, because Jane Austen had allowed personal feelings of the characters to be expressed in her work, she can also be classified as Romantic. In the figure of Elizabeth, Jane Austen shows passion attempting to find a valid mode of existence in society. Passion and reasons also comes together in the novel to show that they are complementary of marriage.
There are seven different marriages presented in the novel. Excluding the Gardiner and the Lucas, the remaining five marriages contrasts each other to reveal Jane's opinions and thoughts on the subject of marriage.
The marriage between Darcy and Elizabeth reveals the characteristics which constitutes a successful marriage. One of these characteristics is that the feeling cannot be brought on by appearances, and must gradually develop between the two people as they get to know one another. In the beginning, Elizabeth and Darcy were distant from each other because of their prejudice. The series of events which they both experienced gave them the opportunity to understand one another and the time to reconcile their feelings for each other. Thus, their mutual understanding is the foundation of their relationship and will lead them to a peaceful and lasting marriage. This relationship between Elizabeth and Darcy reveals the importance of getting to know one's partner before marrying. The marriage between Jane Bennet and Bingley is also an example of successful marriage. Jane Austen, through Elizabeth, expresses her opinion of this in the novel:
".really believed all his [Bingley] expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself." (Chapter 55)
However, unlike Darcy and Elizabeth, there is a flaw in their relationship. The flaw is that both characters are too gullible and too good-hearted to ever act strongly against external forces that may attempt to separate them:
"You [Jane and Bingley] are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income." (Chapter 55)
Obviously, Lydia and Wickham's marriage is an example of an bad marriage. Their marriage was based on appearances, good looks, and youthful vivacity. Once these qualities can no longer be seen by each other, the once strong relationship will slowly fade away. As in the novel, Lydia and Wickham's marriage gradually disintegrates; Lydia becomes a regular visitor at her two elder sister's homes when "her husband was gone to enjoy himself in London or Bath." Through their relationship, Jane Austen shows that hasty marriage based on superficial qualities quickly cools and leads to unhappiness.
Although little is told of how Mr. Bennet and Mrs. Bennet got together, it can be inferred by their conversions that their relationship was similar to that of Lydia and Wickham - Mr. Bennet had married a woman he found sexually attractive without realizing she was an unintelligent woman. Mrs. Bennet's favoritism towards Lydia and her comments on how she was once as energetic as Lydia reveals this similarity. Mr. Bennet's comment on Wickham being his favorite son-in-law reinforces this parallelism. The effect of the relationships was that Mr. Bennet would isolate himself from his family; he found refugee in his library or in mocking his wife. Mr. Bennet's self-realization at the end of the novel in which he discovers that his lack of attention towards his family had lead his family to develop the way they are, was too late to save his family. He is Jane Austen's example of a weak father. In these two latter relationships, Austen shows that it is necessary to use good judgement to select a spouse, otherwise the two people will lose respect for each other.
The last example of a marriage is a of a different nature than the ones mentioned above. The marriage between Mr. Collins and Charlotte is based on economics rather than on love or appearance. It was a common practice during Austen's time for women to marry a husband to save herself from spinsterhood or to gain financial security. However, Jane Austen viewed this as a type of prostitution and disapproved of it. In Pride and Prejudice, Jane Austen dramatizes this form of women inequality and show that women who submits themselves to this type of marriage will have to suffer in tormenting silence as Charlotte does:
"When Mr. Collins said any thing of which his wife might reasonably be ashamed, which certainly was not unseldom, she [Elizabeth] would involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear." (Chapter 28)
These five marriages contributes to the theme that a happy and strong marriage takes time to build and must be based on mutual feeling, understanding, and respect. Hasty marriages acting on impulse, and based on superficial qualities will not survive and will lead to inevitable unhappiness.
In Pride and Prejudice, Jane has denounced the elements of marriage and society that she found distasteful. These are the conclusions of her observation of the people in her world. However in her writing, Jane has also reflected her own enjoyment in life among these people with and without their faults.
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