暑假里，班里开展了书香暑假。从图书馆里借了
不少书，我看了罗宾汉传奇内容十分吸引人。
绿林好汉罗宾汉在英国是一位家喻户晓,妇孺
皆知的传奇人物,他因不堪忍受教会与封建领主的
残酷剥削与暴虐统治,率众揭竿而起,啸聚山林,
劫富济贫,除暴安良,赢得了广大劳动人民的爱戴
和尊敬.有关他的故事也广为流传,并已具有世界
性的影响.本书即以生动的情节,风趣的语言记述
了罗宾汉的种种英雄行为,极富可读性,堪称"英国
的《水浒传》".本书由著名诗人,翻译家穆旦等
人翻译,译笔精湛,引人入胜.
罗宾是一个勇敢，坚强，聪明的人，他和好汉们
惩奸除恶，跟修道院院长做斗争把从坏人手里夺
来的钱财，送给穷人。为我们树立了一个伟大的
英雄形象。希望大家能看一下！
有300了。

　　“文章即案头之山水”是大家耳熟能详的一句话。我们的生活虽充实多彩，但偶尔遇到不顺心的事也是家常便饭，我们也许会看看书来得到心灵的慰藉。悠闲的午后，拿本小说看看也是十分惬意的享受。书是生命中不可或缺的伙伴，甚至成为我们生命的主任，使我们成长、茁壮。

　　从小我就喜欢看书，尤其是关于行侠仗义的英雄人物故事，更是我爱不释手的宝典。从罗贯中《三国演义》、施耐庵的《水浒传》到林佩芬的《努尔哈赤》……都是我滚瓜烂熟的故事。而《侠盗罗宾汉》是我最喜欢的一本书，那种劫富济贫的情节，对抗鱼肉乡民、嚣张跋扈郡长的方式，都是令人回味无穷的。

　　一个大有前途的壮硕青年罗宾汉，在前往射箭比赛的途中，因别人的挑衅，误杀了国王珍贵的鹿，而得面临一辈子躲躲藏藏的生活。正当走投无路之际，他加入了受贫穷及压榨，有着相同命运的.绿林好汉们。在一次郡中的箭术比赛里，罗宾汉击败了绿林最好的射箭好手威尔，而成为绿林的领导者，开始带领着一群武艺高超的好汉们对抗强权，帮助贫苦的老百姓们。而一个个的得力助手，像是小约翰、塔克修士也对罗宾汉的名声、武术及处世态度甘拜下风，纷纷加入绿林的阵营。

　　当“雄心查理”听到了郡长、强权的恶行，以及绿林好汉的声望和百姓对他们的尊崇，就赦免了他们的罪，让小约翰当了郡长，而绿林好汉们也纷纷为国王效力，帮国王打出了一片天下。而这些绿林好汉的传奇故事，传说直到现在还是令人口耳相传、爱不释手！只要想起罗宾汉或再一次的阅读他们的传奇，似乎都还可以听到罗宾汉的号角在森林中回荡，带给附近居民安心的力量呢！

　　其实现在的社会中，我们也会害怕一些强权的人士，屈就自己的心声，让多数社会低层心中的呐喊无处宣泄。罗宾汉教会了我勇气，路见不平就要挺身而出，以及不危害社会的观读。尽管一个人多么有权有势，都不该对他人的权力视若无睹；而有能力的人该做的事就是尽己所能的多帮助他人，绝不能当欺压弱势者的大坏蛋喔！

在《罗宾汉》——关于舍伍德的传说中，你将会深入体验那些最古老的但仍然是最流行的故事之一。体验游戏与亲身行动只有毫发的差别，你将与你的英雄们共同分享刺激与惊险：罗宾汉，小约翰，Will Scarlet，Stutely the Owl，Friar Tuck和可爱的玛丽亚女士。你可以看透诺丁汉城堡、约克角、莱斯特、德比和林肯
《罗宾汉》由曾制作过《赏金奇兵》的的Spellbound开发，游戏基于传统英国传奇故事制作，讲述了罗宾汉和他的英勇部下在约翰王子统治时期劫富济贫的故事。游戏采用类似于盟军敢死队系列的即时战术游戏方式，你可以控制具有不同能力的几个角色。罗宾汉本身会翻墙、偷袭、射箭等本领，他还可进行剑击格斗。
《罗宾汉》包含了许多剧情驱动型任务，任务进行之间，玩家可回到舍伍德森林进行角色的弓箭及击剑训练，也可在森林小道上进行伏击。罗宾汉及其伙伴非常熟悉这片森林，他们可在树上射箭，可撒网捕获敌人。得到金子后可送给一些市民换得他们在任务中的援手。
新截图展示了游戏的多个场景及玩家控制的人物和敌人，在一张截图中我们看到了罗宾汉的招牌动作：射箭，相信这个技能会在游戏中发挥巨大作用。
罗宾汉的传说大约是始自于西元十四世纪左右，他拥有许多不同的名字Robin Wood、Robert Wood，Robin Hood不过只是其中一种而已。有些历史学家认为，这个字只是当时他所用的化名，因为若英文念快一点，“罗宾汉”听起来就有“抢劫团”(Robbing Hood)的意思。由于罗宾汉的传说始自于口传历史，因此各种各样的记载十分杂乱，几乎无法确实证明是否真有其人。在他大部分的故事中，他的事迹发生在英国狮心王理查参加十字军东征期间，约翰王子趁机弄权、横征暴敛让人民苦不堪言。罗宾汉率领著一帮绿林好汉，以他精准的箭术劫富济贫，对抗诺丁瀚郡统治者的暴政。除此之外，由于他对于圣母玛丽亚的崇敬，他也从来不会伤害女性。直到今日，在箭术比赛还有一个术语为“罗宾汉”，代表的是“射中另一支已射中靶心的箭，并且将箭身一分为二”，可见此传说影响之深远。
该游戏由曾制作过《西部狂徒》的德国Spellbound开发。游戏的战术操作类似于《盟军敢死队》，每个任务前玩家选择五个队员，利用个人的特长完成任务。为了避免被敌人发现，玩家可打开敌人视野显示，通过敌人头上的符号来判断自己是否被发现。
罗宾汉故事中的各种角色都将出现在游戏中。游戏中的四十个任务中包含有舍伍德森林、诺特汉姆城堡等九个地点。
RTS也有搓招?!
——《侠盗罗宾汉》在战斗系统中加入新要素
《盟军敢死队》系列一直是RTS(即时战略/战术类游戏)玩家的至宝，然而《盟3》仍然没有准确的消息，就在我们都十分期待的时刻，却从wanadoo杀出了一匹黑马——《侠盗罗宾汉》。这款游戏一经上市就获得一致好评，虽然游戏类型接近《盟军》系列，但没有被称为克隆之作，反倒获得了“有胜之而无不及”的称赞，看来德国开发小组Spellbound的功力相当深厚。
值得一提的是，这个游戏的操作和难度比《盟军》更容易让人接受，例如：在肉搏战中，可以使用鼠标快速的划出一道轨迹，英雄罗宾汉将按照你画出的轨迹挥动手中的短剑，或斜刺或点、挑，我们完全可以把中国剑法的精髓使用到这个游戏中，可是如果进攻的时候敌人格档，你的鼠标也会受力偏移，这样细致入微的设计，对于一个RTS游戏来说是十分新颖且具有创新意义的。
以上文章节选自PConLine.com.cn(太平洋电脑网)
另：此同类游戏较多，请仔细判断是否要下载此游戏!
将文件解压缩，内有虚拟光盘文件。
本人一般每天2：00Pm-12:Pm都会在线，此外请大家报告一下游戏下载速度，为本人对游戏下载事件做出调整(为更好地为大家服务)
一直以来，游戏界跟风的气份总是异常浓厚，叫好叫卖的作品一经推出后，各种临摹的游戏往往就接踵而至，这其中的例子真可谓不胜枚举。当然，临摹优秀作品作为一个商业现象，并不仅仅存在于游戏行业，对于游戏玩家来说，这也不是一个很坏的状况，因为在众多“赝品”中有时也会出现比较有水准、甚至超过原作“标准”的游戏。虽然，这种青出于蓝而甚于蓝的例子并不多见
《侠盗罗宾汉：舍伍德森林传奇》是怡采科技汉化并于两个月前推出的一款实时战术游戏。早在宣传阶段，它就被戴上了“古装版盟军”的帽子。游戏把战场从二战前线搬到12世纪英格兰的夏伍德森林(游戏中为舍伍德森林，夏伍德的翻译来自于一个笔者很喜欢的日本动画)，那么这种明显的跟风之作能不能给玩家带来新的乐趣呢??
1.图像 评分8/10
从画面和一些其它因素来看，《侠盗罗宾汉》和《盟军敢死队》以及《赏金杀手：西部通缉令》应该是用相同的游戏引擎制作出来(笔者查找了一些资料，果然如此)，总得来看三者画面的基调都差不多。值得一提的是，游戏在某些细节处理上比较细心，比如当玩家与敌人在楼梯上将敌人打倒，就会看到敌人顺着楼梯一直滚落下去，而不是倒在楼梯上，这也算是从给玩家一种较逼真的感觉吧。人物2D头像缺点很多，特别是罗宾汉的头像实在让人不敢恭维，怎么看都像30多岁了，作为一个少年侠客形象实在是太老了游戏的3D背景给人以中世英国古城堡错落有致的感觉，但很可惜它没有《盟军2》那样的视角旋转功能，地图的放大缩小功能也没有多大用处。另外，游戏的内部场景表现得也不理想，用的是透明部分外墙和屋顶的老办法。
2.音乐音效 评分 7.5/10
游戏的音乐编排得比较普通，并没有给人留下太深的印象。相对来说，游戏的音效部分稍好一点，在夏伍德森林的营地中，我们还可以听到小鸟的啾啾声、蜜蜂的嗡嗡声和水流的孱孱声。 这当中给笔者留下最深印象的应该是NPC的尖叫声，每当城里的那些贵族妇人看到正秘密潜入的罗宾时，她们就会向城里守军的方向跑去，嘴里还大声呼叫“oh,Robin Hood!!”嘿嘿，有时还真能吓我一跳。
3.操作 评分 7/10
就我个人认为，这是本游戏最大的缺陷。游戏中有一些不错的设计：不同的人物有一些特有的能力，而这些能力是互相扶左的。比如罗宾可以从悄悄把敌人的哨兵击晕，另一个人可以把晕倒的人绑起来，第三人的可以把倒在地上的人扛到无人处，以免被人看到引起搔动等等，这本来是一系列很好的配合，但实际执行起来总是很不留畅! 每当玩家控制己方多人与敌军作战时，就会体验到这个游戏的操作有多困难。控制了这个就控制不了那个，不断会有人停下来站在一边“观看”，甚至还常会闹出自家人误伤自家人的惨剧，真是大水冲倒龙王庙!! (罗宾汉和他的手下能力差距太大，有些问题主要是村民行动速度和作战能力太低造成的) 游戏在单人的操作上还算是不错，玩家可以自由控制出招的方向，即：如果你拖动鼠标在屏幕上画半个圆，那么你控制的人物就会抡起长剑转半圈(这一招对付多人围攻很管用)，笔者靠这招，常用罗宾一人就干掉十几个守卫。另外，在森林中作战时罗宾汉还可以用箭去射靶子来发动的设定好的机关。怪不得有人说，罗宾一人去完成任务比带上一堆人都要来得管用，从这一点不难看出游戏中集体作战的失败!
如果说《侠盗罗宾汉》有什么创新，大概就是在游戏中加入了“基地”这个概念，这也是《盟军》所没有的。进入每一关之前，玩家要选出一部分人员参加要执行的任务，剩下来的人就在基地里从事生产工作。包括箭、草药、鱼网等完成任务所必备的物资都是需要从基地里生产出来。不必在担心任务关所规定提供的箭不够用了，玩家可以通过增加人手来扩大生产自己紧缺的物资。整个基地给人一种拥有一座兵工厂的感觉，把经营的成份巧妙地融入了游戏。
4.剧情 评分 8.5/10
公元1190年，英国狮心王理查率领英国军队参加十字军东征，罗宾汉也随军前行。可是当战争结束，罗宾汉从战场返回家乡的时候，发现自己的庄园和财产已经被诺丁汉郡治安官以莫须有的罪名没收。此时，英国正在被借着狮心王东征而趁机弄权的约翰王子所统治，他的横征暴敛让人民苦不堪言。为此，罗宾汉聚集了一帮绿林好汉进入舍伍德森林，凭借着自己的机智和勇敢，带领大家劫富济贫，对抗昏君的暴政
作为西方人眼中的大侠，罗宾汉的故事早就扎根在每个人的心中，由他的故事该编的电影也广受好评。这次《侠盗罗宾汉》较成功地把罗宾的传奇经历再一次演绎给了众多玩家。游戏剧情分为主线和支线两部分，主线是罗宾汉较著名的故事，也是一定要玩家完成的任务，比如到诺丁汉城救女友玛丽安等等，支线也就是袭击丛林中的车对这样的小任务，可以跳过，但玩家可以利用这段时间在基地生产一些装备。
5.汉化 评分 7.5/10
基本完成任务。
总评 7.5/10
在整个游戏过程中我印象最深的是：游戏把英雄和杀戮区分了开来。在我们印象中，杀死成群的小偻偻是一件十分过隐的事，作为一个知名英雄人物出手更是不能留情，斩奸除恶是他们的职责。而这个游戏恰恰相反，在很多关卡中玩家被要求尽量不能杀人，我们要做的就是抢到金币去分给穷人，而对于敌人士兵则主要是打晕后绑起来或用陷阱困住他们(如果杀死他们会减少来投靠的村民数量)。 游戏设计者的这一举措显然把游戏的立意提高了很多。总得来说，这是一款中等水平的游戏，罗宾迷不妨一试。

傲慢与偏见
The novel opens with the famous line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.". and ends with two marriages: Jane and Bingley's, as well as Darcy and Elizabeth's. Both couples are assumed to live happily ever after.
Elizabeth (Lizzy) Bennet is the core of the family. Elizabeth is the second of Mr. and Mrs. Bennet's five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. In addition to being her father's favourite, Elizabeth is characterized as a sensible, yet stubborn, woman. Misled by his cold outward behaviour, Elizabeth originally holds Mr. Darcy in contempt. However, she finds that Mr. Darcy improves on acquaintance, more so than she would expect.
Fitzwilliam Darcy (commonly known as Mr. Darcy) is the central male character and Elizabeth's second love interest in the novel. He is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. Initially, he considers Elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for Elizabeth. His initial proposal of marriage is rejected because of his pride and Elizabeth's prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving Elizabeth.
Role of women in the 18th century
In late-18th-century England, women were relegated to secondary roles in society with respect to property and social responsibilities. For example, women were not permitted to visit new arrivals to the neighbourhood (such as Mr. Bingley in Pride and Prejudice) until the male head of their household had first done so. Women were under enormous pressure to marry for the purpose of securing their financial futures and making valuable social connections for their families. Therefore, marriage, though romanticised, was in many ways a financial transaction and social alliance rather than a matter of love. Although Jane Austen did not condone loveless marriages (she stayed single all her life), she did approve of matches having equality in various respects, including wealth, social status, love and character. In Pride and Prejudice, wealth, social status, chastity (and the perception of chastity) and physical attractiveness are depicted as factors affecting a woman's chances for a good marriage.
了不起的盖茨比
Published in 1925, The Great Gatsby became an immediate classic and propelled its young author to a fame he never again equalled. The novel captured the spirit of the "Jazz Age," a post-World War I era in upper-class America that Fitzgerald himself gave this name to, and the flamboyance of the author and his wife Zelda as they moved about Europe with other American expatriate writers (such as Ernest Hemingway). However, Gatsby expresses more than the exuberance of the times. It depicts the restlessness of what Gertrude Stein (another expatriate modernist writer) called a "lost generation." Recalling T. S. Eliot's landmark poem "The Wasteland" (1922), then, Gatsby also has its own "valley of ashes" or wasteland where men move about obscurely in the dust, and this imagery of decay, death, and corruption pervades the novel and "infects" the story and its hero too. Because the novel is not just about one man, James Gatz or Jay Gatsby, but about aspects of the human condition of an era, and themes that transcend time altogether, it is the stuff of myth. Gatsby's attempts to attain an ideal of himself and then to put this ideal to the service of another ideal, romantic love, are attempts to rise above corruption in all its forms. It is this quality in him that Nick Carraway, the novel's narrator, attempts to portray, and in so doing the novel, like its hero, attains a form of enduring greatness.
The novel is narrated in retrospect; Nick is writing the account two years after the events of the summer he describes, and this introduces a critical distance and perspective which is conveyed through occasional comments about the story he is telling and how it must appear to a reader. The time scheme of the novel is further complicated as "the history of that summer" of 1922 contains within it the story of another summer, five years before this one, when Gatsby and Daisy first courted. This is the story that Jordan tells Nick. As that earlier summer ended with Gatsby's departure for the war in the fall, so the summer of Nick's experience of the East ends with the crisis on the last hot day (the day of mint juleps in the hotel and Myrtle Wilson's death) and is followed by Gatsby's murder by George Wilson on the first day of fall. This seasonal calendar is more than just a parallel, however. It is a metaphor for the blooming and blasting of love and of hope, like the flowers so often mentioned. Similarly, the novel's elaborate use of light and dark imagery (light, darkness, sunshine, and shadow, and the in-between changes of twilight) symbolizes emotional states as well.
红字
The Scarlet Letter attained an immediate and lasting success because it addressed spiritual and moral issues from a uniquely American standpoint. In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.[6] Another consideration to note having to do with the book's popularity is that it was one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of "The Scarlet Letter," 2,500 volumes, sold out immediately, was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.
远离尘嚣
Much of the plot of Far from the Madding Crowd depends on unrequited love — love by one person for another that is not mutual in that the other person does not feel love in return. The novel is driven, from the first few chapters, by Gabriel Oak's love for Bathsheba. Once he has lost his farm, he is free to wander anywhere in search of work, but he heads to Weatherbury because it is in the direction that Bathsheba has gone. This move leads to Oak's employment at Bathsheba's farm, where he patiently consoles her in her troubles and supports her in tending the farm, with no sign he will ever have his love returned.
This novel focuses on the way that catastrophe can occur at any time, threatening to change lives. The most obvious example occurs when Oak's flock of sheep is destroyed by an unlikely confluence of circumstances, including an inexperienced sheep dog, a rotted rail, and a chalk pit that happens to have been dug adjacent to his land. In one night, Oak's future as an independent farmer is destroyed, and he ends up begging just to secure the diminished position of a shepherd.
This novel offers modern readers a clear picture of how important social position was in England in the nineteenth century and of the opportunities that existed to change class, in either direction. In the beginning, Oak and Bathsheba are social equals: he is an independent farmer who rents his land, and she lives on her aunt's farm next door to his, which is presumably similar in value. The only thing that keeps her from accepting his proposal of marriage is the fact that she just does not want to be married yet. After Oak loses his farm and Bathsheba inherits her uncle's farm, there is little question of whether they can marry — their social positions are too different. She is more socially compatible with Boldwood, who owns the farm next to hers and is in a similar social position.

自己写呗。主要内容应当是书的基本内容与自己的收获和生活中的启示