专辑中文名: 莎翁情史 专辑英文名: Shakespeare In ...几乎演遍了所有莎翁名剧,被誉为“浑身充满了莎剧...

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If I had to name one film this year that would epitomize a truly 'faultless' film, it would have to be "Shakespeare in Love". It is rare to see a film in which the performances, writing, narrative structure, direction, humor, and production design combine to create an outstanding and enchanting piece of work that is in essence, pure poetry. Kudos to director John Madden ("Mrs. Brown"), and scribes Marc Norman and Tom Stoppard ("Rosencrantz and Guildenstern are Dead") for validating that it is still possible to conceive a film that works so well on every level.
At its core, "Shakespeare in Love" is your prototypical romantic comedy. And while romantic comedies have become rote as of late (witness "You've Got Mail"), this film breathes new life into this seemingly creatively-bankrupt genre. In this case, the year is 1593 and the romantic lead is Will Shakespeare (played by Joseph Fiennes, seen most recently in "Elizabeth"), the Bard himself. Unfortunately, Will is struggling for recognition in the crowded world of Elizabethan theater, competing with his more well-known contemporaries, such as Christopher Marlowe (an uncredited Rupert Everett, last seen in "My Best Friend's Wedding"). Even more distressing, Will is suffering from writer's block over his latest play, a comedy entitled "Romeo and Ethel the Pirate's Daughter".
With no love in his life, Will finds it difficult to be inspired, much to the chagrin of theater owner Philip Henslowe (Geoffrey Rush of "Shine" and "Elizabeth"), who is hoping for a hit play that will help him settle some long overdue debts. However, Will 'finds his muse' when he catches a glimpse of Viola de Lesseps (Gwyneth Paltrow of "Sliding Doors"), the beautiful daughter of a wealthy merchant. The attraction is mutual, as Viola finds Will's writing poetically enchanting, and aspires to perform in one of his plays. The only problem is that Viola is already betrothed to the heartless Lord Wessex (Colin Firth), a union sanctioned by Queen Elizabeth (Judi Dench of "Tomorrow Never Dies") herself.
Invigorated by Viola's visage, Will puts quill to paper and his comedy begins to take shape. Meanwhile, Henslowe starts gathering actors for the production, including the self-absorbed master thespian Ned Alleyn (Ben Affleck of "Good Will Hunting"), some assorted riff-raff from the local watering hole, and an enigmatic but talented young man named Thomas Kent. Unbeknown to Will and the rest of the troupe, Thomas is actually Viola in disguise, as it is deemed illegal and immoral for women to appear on the stage. Like many of the plots found in the Bard's work, complications arising from mistaken identities, gender-reversal, and deception will threaten to keep the two star-crossed lovers apart.
There is so much to rave about in "Shakespeare in Love", that I do not know where to begin. First and foremost, the performances are strong all around, especially with the undeniable chemistry between Paltrow and Fiennes. Paltrow radiates an irresistible screen presence, and her ardent portrayal of Viola effectively conveys the passion that her character is meant to exude. She also brings a new appreciation to the oft-heard lines of "Romeo and Juliet" with her distinctive and impassioned elocution, and even those who find Shakespeare uninteresting will sit up and take notice-- Shakespeare has never sounded so good.
Fiennes is ideally suited for portraying Shakespeare, with his ruggedly handsome features and his charming disposition. His adept handling of the material doesn't hurt either. Affleck, Rush, and Firth manage to steal some of the limelight with their memorable performances. Dench is also a welcome addition to the ensemble with her portrayal of a Queen Elizabeth with attitude to spare. The well-crafted script also elicits excellent performances from the supporting cast, providing every member of the cast, no matter how small the part, a shining moment.
Second, the film's very smart script is a perfect composite of modern sensibilities and the lyrical articulation of Shakespeare's better works-- those familiar with the Bard's writings will be delighted with the film's numerous and witty references, and those not-so-familiar will still find the situational humor entertaining. The script also marvelously juxtaposes the action on the stage with the budding romance between Will and Viola, adding a whole new layer of subtext to the proceedings that adds to the film's bittersweet emotional build-up. Finally, the film's weighty third act is executed perfectly, reconciling all of the film's narrative threads during a performance of "Romeo and Juliet" and providing the audience's pent-up emotions the opportunity for a welcome release.
It is not very often that a film like "Shakespeare in Love" comes along. Remarkably well written, superbly acted, and adroitly executed, this is one truly satisfying, entertaining, and literate film. Not only is "Shakespeare in Love" an instant classic, but it is also a tribute to one of the most beloved and well-known writers of all time.

莎士比亚是活跃于英国文艺复兴时期的代表性戏剧家和诗人。主要作品有“四大悲剧”及《仲夏夜之梦》、《罗密欧与朱丽叶》、《威尼斯商人》等。莎士比亚深刻地洞察人物的心理，灵活运用丰富多彩的戏剧语言，他对英国的民族语言和文学语言的发展产生过重要的影响，直到几百年的今天，他的作品依然扣动读者的心弦，具有震撼人心的艺术力量。莎士比亚青年的时到伦敦闯荡，起初是个演员，后来，他创作的作品得以在舞台上表演，才成为受人欢迎的戏剧家。
公爵的婚礼就要举行了，善良的雅典王将要献一出戏。可是，两对青年男女的爱情风波还没平息，远来道贺的妖精王和王妃又不和。这一连串的麻烦，该如何摆平？
书中讲述了由“魔汁”引起的冲突及冲突被解决、有情人终成眷属的故事。有两个男青年拉山德（Lysander）、狄米特律斯（Demetrius）同时爱上了女青年郝米娅（Hermia），而郝米娅恋着拉山德，她的好友海丽娜（Helena）又恋着狄米特律斯。郝米娅为了反对包办婚姻和情人私奔，来到约定好的森林里。海丽娜将这一消息告诉了狄米特律斯，二人也跟着赶到了森林里。这个森林里本来住着仙王、仙后和侍奉他们的小仙、精灵，此时仙王、仙后正因为一个“换儿”（传说中仙人常于夜间将人家美丽的小儿窃去充做侍童）而不和。仙王为了让仙后做出让步，便派小精灵迫克（Puck）去取来魔汁（西方一朵纯洁的白色小花因为误中了丘比特的爱情之箭，受创伤后而流出的汁液）以戏弄仙后。这种魔汁有这样的魔力：如果它滴在睡者的人的眼皮上，无论男女，醒来一眼看见的生物，就都会发疯似的爱上它。
因为魔汁的出现，整个故事发生了戏剧性的变化。魔汁滴在睡着的拉山德的眼皮上，他醒来时一眼看见的是误闯进来的海丽娜，因此而“移情别恋”，对海丽娜大献殷勤，这让可怜的郝米娅伤心万分；而狄米特律斯醒来时一眼看见的恰是被精灵引来的海丽娜，因而“旧情复燃”，这让可怜的海丽娜苦恼万分。两个同样美丽、善良的女孩如今一个被悲伤逼得要发疯、一个被惊喜冲昏了头脑，于是开始恶意地揣测甚至中伤起对方。而另外两个痴情的热血青年又在愤怒中为海丽娜而决斗。此刻我们发现这四个人分别在不同的方向跑着，读来令人忍俊不禁又顿生同情。幸福的斗争是如此艰难，天命弄人，可是这种斗争的过程并非一种痛苦，一种悲剧，而是一种有着快乐意味的戏剧性的东西。而在这个故事中，最具戏剧性的情节恐怕要数仙后在魔汁的作用下与一个闯入林中的织工荒唐的“相爱”。这个滑稽可笑的织工本来是和几个同是手艺人的伙伴们来林中来排戏，小精灵迫克使织工变成了一头更可笑的蠢驴，而仙后在接触魔汁后一觉醒来时正是看见了这个可怜的家伙。于是对于织工而言，“横祸”又变成了“横福”，因为他得到了尊贵的仙后的恩宠。这是多么不可思议的事情，又显得多么滑稽！而这一切都取决于魔汁的威力、仙王的旨意和小精灵迫克的顽皮。后来也正是按着仙王的旨意，魔力得以解除、情人终成眷属、仙人和好如初，仙界、人间复归太平。
整部戏剧情调轻松，总的来说就是一个“乱点鸳鸯谱”的故事。剧中有穿插了小闹剧当作笑料，即众工将为婚礼所排的“风马牛不相及”的喜剧以及排戏经过。这部戏剧没有什么特别深远的社会意义与内涵。它所包含的，只是纯净的快乐，仿佛是一部戏剧的狂欢，中间也掠过一丝爱情的烦恼。
最幻不过梦，最美不过情。正如生活一样，爱有时是悲剧，也有时是喜剧，有时是梦与情的巧遇。爱情享有自由的属性、魔力的特征，糅合理性的思考。它既是一座童话的花园，也是一座上演着人生百态的舞台。沁人心脾的爱情，再名贵的香水也敌不过她的香气和魔力。《仲夏夜之梦》是莎士比亚带给恋人们最美的戏剧童话。“爱懒花”汁液的魔术，由此流传到了全世界。

如果见不着丝薇亚... 哪种光才算光,哪种欢乐才叫欢乐?如果丝薇亚不在身旁
除非想着她在身旁. 从接近完美的她获得灵感. 如果夜晚不能依偎丝薇亚, 夜莺歌唱也不悦,如果白天不能看着丝薇亚, 我将不能面对白天.