这部电影我看了、感觉还不错、很教育人的、所以趁年轻要以事业为重

影评：《重返十七岁》一个父亲的自我救赎 高中时期的迈克英俊潇洒，球技一流，即将得到全额奖学金上大学，还有个校花级的女友，此时的他简直就是风华正茂，前途不可限量。 比赛休息时，一个不详的消息打破了迈克的美梦，女友怀孕了。在美好的前途与过早的婚姻之间，迈克选择了后者，这意味着他将放弃自己原本的理想，去承担一种做父亲的责任。 经过二十年的打拼，迈克还是未能创出一片天地，仅仅在公司里做个普通的职员，就连即将唾手可得的升职机会也与自己擦肩而过。而迈克苦苦经营的婚姻却变得支离破碎，越积越多的矛盾早就不可调解，最后闹到离婚的地步，甚至自己的亲生子女也对自己爱答不理。一切的厄运犹如天降，迈克难于接受这个现实，仿佛世界即将末日。 十七岁是迈克人生的重大转折点，正是他当时那个选择，才有了今天的生活。迈克显然是对现状十分不满，就连高中时期弱不禁风的好友耐德现在也比他过的富有、自由、惬意，所以迈克不止一次抱怨道：“如果我十七岁的时候不是选择结婚，那我的人生……” 或许是上帝对迈克眷顾，它给了迈克一次回到十七岁的机会。掉入巨大的时光漩涡里，迈克的肉体回到了十七岁，其他一切都不变。 既然年近不惑的自己如此失败，那么回到十七岁的迈克，理所当然应该选择从头来过，迎接一种崭新的生活。然而电影中的迈克并没有那样做，他不过是做回一个高中生，亲近他的子女，用另一种角度来看待身边、看待自己。当他知道儿子被篮球队的人欺负，女儿和坏蛋拍拖时，才感觉到自己作为一个父亲的失败：原本还以为自己很关心孩子，而事实却连子女最简单的烦恼都一无所知。另一方面却发现妻子原来是个美化设计的天才，而以前自己却从未肯定过她，甚至经常抱怨是她耽误了自己的美好前程。 迈克的重返十七岁实际上是在自我救赎，他要拯救破碎的家庭，挽回即将毁灭的婚姻。迈克选择了理解，选择了补救。迈克帮儿子建立起自信，和他一起训练篮球，甚至教他如何合适地和女生相处；并传授给女儿正确的恋爱观，不再和坏蛋谈禽兽般的恋爱；最后当然也打动了自己的妻子，挽回了婚姻，结局可谓完美。 涂着浓厚烟熏妆的麦格很有如今90后非主流女生的影子，她在大庭广众之下与斯坦舌吻那一幕足于让人咋舌。中国出现的非主流，说的明白些就是不入流。装主流扮时尚是要金钱而时间的，既然这两个条件不能达到，就画虎不成反类犬，只能达到时尚的三成，显示出来得不过是主流的山寨版，于是美言之非主流云云。 尽管电影里将斯坦描述成嚣张狂妄的坏蛋，但麦格偏偏就是喜欢他，因为他至少是篮球队队长，球技不赖，穿着前卫，家境不错。不然你叫一个美女去喜欢家庭贫穷、穿着寒酸，胆小怕事，又无特别才华的男生吗？现实中斯坦这样的人尽管令同性讨厌，但不得不承认他是受异性喜欢的，《流星花园》里的道明寺简直就是飞扬跋扈，胡作非为，但无论戏里戏外都有海量的女生倒在他的魅力之下，这就是现实。 性是本部电影不可避免的，正是不恰当的性，才毁掉了迈克的光明前程。所以当迈克回到二十年前，在一节性教育课堂上，他以过来人的口吻提倡：“所有人应该放弃婚前性行为。”周围的学生用各种各样的身体语言反对他的观点，而直接反驳他的人正是课堂上的老师：“要求高中生放弃婚前性行为，就像猫不吃腥一样，简直不可能。”美国年轻人的性观念之大胆、之开放、之前卫，真让人佩服得六体投地。然后老师直接把一大篮子的安全套传下去，这真是美国性教育多么有前瞻性的一步。 反观中国的高中的性教育，还阻止高中生谈恋爱，真是布鼓雷门、贻笑大方。甚至大学生还在讨论恋爱是必修课还是选修课的问题，简直是井底之蛙、丢人现眼。越是发达的国家，性观念就越开放，美国、英国、法国、日本、韩国，哪个发达国家性观念不比中国开放？中国之所以还这么保守，只能说明一点：中国还不发达。但中国贫富差距堪称世界第一，不少人早就过着比美国人还要逍遥的生活，所以如此武断地说中国人性观念保守那简直是冤枉了不少中国人，全世界性观念最前卫和最保守的人可能都是中国人。不要说中学生性行为，就连三文治、三国鼎立这样的玩法早就被部分的中国年轻人赶上了，真是后生可畏！ 中国的性教育简直就是一张白纸，就连基本的生理常识都不能普及，中国应试教育之畸形，性教育之失败程度可见一斑！当然中国人天生聪慧，个个无师自通，晚上宿舍关灯后就是中国性文化交流最激烈的时候，他们八仙过海，各显神通，余音袅袅，不绝如缕。 既然是白纸就阻止不了主人的肆意涂画，于是部分有识之士就喊出洋务运动的口号“师夷长技以自强”：受日本启蒙，向欧美看齐，拜陈冠希为师。恐怕如今的功力没有欧美日韩的十足也有八成了，他们技术熟练之程度，不用面试就可以去拍《色戒2》了。特别是互联网这十年，大大促进了性文化的传播和交流，所以可以发现年轻人已经不那么恨日本人了，只恨不能日他们的女人而已！ 然而讽刺归讽刺，电影归电影，现实归现实。还是让我们回到现实吧，虽然中国体制不是一般的不完善，贪官不是一般的多，教育不是一般的差，但这一切都不是我们不工作、不学习、不努力的理由。既然我们改变不了世界，那就改变我们自己。 《钢铁是怎样练成的》有句名言：“人生最宝贵的是生命，生命属于人只有一次。因此人的一生应当这样度过：当他回首往事的时候，他不致因虚度年华而悔恨，也不致因碌碌无为而羞愧……”其实很多道理大家都懂，只不过被生活的繁琐所迷惑，不知不觉中迷失了自己，从而酿造一个又一个的让人后悔、让人愧疚的错误。 尽管迈克回到过去，但篮球场上的一幕仍然重演，他再次站在人生的三岔口上，结果他还是做出和以前一样的抉择。可见我们不满的往往不是我们走哪一条路，而是我们没有走好那条路。电影给了迈克一次机会，让他用另一种角度去看待人生，做出更好的调整，从而改变自己的人生。 现实中的我们，尽管都曾想回到过去，却都回不到过去。我们应该做的就是回首过去，吸取经验，面对现实，减少抱怨，珍惜现在，让明天的自己因自己今天的努力而骄傲，而不是遗憾。既然我们都觉得用现在的知识回到过去，自己会活的更好，那么我们为什么不用十年后，二十年后的角度去思考今天的事情呢，或许今天的我们可以少走弯路，这不就是比尔盖茨经常提到的远见吗？ 永远有人十七岁，但没人永远十七岁。我们都搭上了一辆不可逆反的时光快车，我们所能做的就是紧紧把握住手上的时间，努力去做一些我们觉得有价值的事情。

1
17 Again is one of those half and half films--half of it is good, moral, and entertaining, and half of it is raunchy, mature in nature, and unnecessary. The plot goes something like this: Middle-aged Mike is unhappy with his life and about to get a divorce from his wife. He and his kids are like strangers to each other, even though he genuinely cares for them. One night Mike mysteriously transports to the age of 17 in present times. He decides (with the help of his MAJOR sci-fi freak best friend) to go back to high school and help put his kids on the right path. So Mike (under the name of Mark) goes back to school and spends his time lecturing his kids about who they should date, helping them onto sports teams, or romancing their mom (who is also his wife).
Some of the funniest parts are the most awkward ones. Teenage Mike/Mark dancing with his wife (to his wife, he is just her son's friend) and being found by their son. Mike/Mark's daughter wants to start a relationship with the teenage Mike/Mark, not knowing that he is actually her dad. When he tells her that they can never be together, she at first thinks that he is gay. There is one use of the b-word and some other mild profanities. Mike/Mark's daughter has a pompous, lustful boyfriend. Mike's best friend is seen in bed (fully clothed) with the school principal (at the end of the film, right before the credits).
I was surprised at the amount of good messages in this movie. Mike (when he is actually 17 in high school sometime in the 1980's) gives up his college dreams to marry his pregnant girlfriend. When he is an adult, he strives to spend time with his kids and shows genuine interest in their lives. When he goes back to the age of 17 through the warp thing, he makes it his goal to help his kids get their lives on the right track. He speaks about abstinence to the entire Health class. He does everything he can to get his daughter's messed-up boyfriend away from her.
Without the sexual jokes and overtones, this movie would be great for kids and teens. Unfortunately, the crude humor ruins it, even if kids don't understand all of the "jokes". Zac Efron is at his best in this film and captures a sensible, struggling teenage dad very well. Don't expect it to be any funnier than you see in the previews, though. Most of the funny parts are in the previews. Overall, it was an enjoyable two hours of reliving high school.
2
hey guys im natasha and i live in new zealand so we got to watch the movie on the 16th
well all i can say is that the movie was AWESOME!
both Zac Efron and Matthew Perry did an awesome job, though matthew was only in the movie for about 5-10 mins and girls get ready to got the shivers as soon as u see Zac transform into the cool kid.
the story basically starts off showing Mike (zac) being the most popular guy in school hes awesome at basketball and is about to be offered a basketball scholarship, however just before the big game starts his girlfriend Scarlet(Leslie Mann) tells zac that she is expecting their child, this confuses mike during the game and he finally leaves the game and runs after the girl he loves. 20 years later his life is a total disaster, with his wife giving him a divorce , his kids hating him mike(matthew) moves in with his best friend ned a self made billionaire. Then something changes mikes's world he goes back to his school and stares at his championship photos he there meets a janitor with whom he shares his thoughts of going back to high school the janitor suddenly dissapears and while driving home mike sees him jumping off a bridge while mike hurries to go save him he himself falls into the river and gets turned back to 17. Then hilarious events start happening with a light saber fight to a fight with his daughters boyfriend. Also mike helps his son find the girl of his dreams and also gets him into the basketball team. An awkward scenes was where maggie( michelle) his daughter wants to kiss him its an awkward moment but it will surely make u laugh.
3
I don’t fully understand the desire to return to high school. I actually enjoyed high school, but that doesn’t mean that I want to re-live being a teenager, it’s just so awkward. But films will continue to be made, all with the premise of returning to the past to change something. 17 Again is no different, although the modern twist on an old story doesn’t make it as enjoyable as I remember.
We begin in 1989 with Mike O’Donnell (the young version played by Zac Efron) shooting hoops, getting ready for the big game that could get him a scholarship to college. When he finds out that his high school girlfriend is pregnant, he walks out of the game and we flash-forward to the present-day Mike (Matthew Perry). Now his life is a mess—no job promotion, on the verge of a divorce and no relationship with his kids. Paying homage to It’s a Wonderful Life, Mike runs into an old janitor that magically transforms him into his 17-year-old self. It is then up to Mike to figure out what he needs to do to transform back.
The modern high school is shown as a breeding ground for disrespectful, sexually overactive teenagers. Not to say that this is not what all high schools are like, but 17 Again chooses not to show anything about going back to high school. Mike doesn’t want to relive high school to change his future; instead he realizes that this is the time to reconnect with his kids and to somehow win his wife back.
It is most humorous when young Mike interacts with his wife (Leslie Mann). She swears that he looks like her husband and the flirtation that plays out is almost uncomfortable but it works. Also, for those Zac Efron fans out there, he even dances and plays basketball in the film. I don’t know if he will ever grow out of this High School Musical role.
The fun of movies like this is to see our character react or interact with his new surroundings. The film fails to capture the heart of being a teenager, only making jokes to how fast their metabolism is and how they can exercise easily. Although young Mike does have an inside view into his kid’s lives, their interaction is very sterile and unbelievable. He coaches his youngest son at basketball, while he still gets to take the glory of being a better player and he preaches to his daughter about making bad choices. If he gets to be 17 again to connect with his kids, the relationships seem forced.
When Mike finds himself back where he started, he realizes that he had made the right choices, he was just absent from most of his life. Now he gets the chance to pay attention. Mike’s inside look into the lives of his kid’s and wife is an interesting twist on an old idea. But the fun of watching films like this is missing because our lead actor isn’t having fun. There is no use in re-living high school for that.
6
If you want to illustrate the acid rain that 20 years can pour down onto a human face, just show Zac Efron and then make us believe that life has turned him into Matthew Perry. Oh, that beautiful boy - oh, that lumpy-faced man. What happened? Failure and disappointment? Self-hatred? Grand-scale spiritual error? We're just scratching the surface here. For Efron to turn into Perry in a mere two decades would require something more drastic, like sitting down every morning to a breakfast of hot, steaming toxic waste.
Yet what better way to make us feel it - the sheer relief of going back in time. In "17 Again," Mike (Perry) is a washed-up pharmaceutical salesman with an estranged wife and two kids who think he's an idiot. But one day, through some movie magic, he transforms back into the 17-year-old he once was - a basketball star who could have had a scholarship if he hadn't married his pregnant girlfriend.
"17 Again" is a variation on the old if-only-I-could-go-back fantasy. In this variation, the hero doesn't go back. Nothing changes, except his body. He's young, he's handsome, the world is before him ... and yet inside, he's still middle-aged. He cares about his kids. He's attracted to his wife. "17 Again" isn't a sophisticated work of art, nor was it intended to be. It's often silly, sometimes fun silly, sometimes too silly. Yet in one area - its honest, unself-conscious exploration of the conflict between a man's physical and psychological age - it goes deeper than the much more ambitious "The Curious Case of Benjamin Button."
The credit goes to Efron, a teen idol who has girls shrieking in the theater from his first close-up but who is also an actor and proves it over the course of the picture. He conveys Mike's dual nature. It will come as news to none of his young admirers that Efron has good eyes, pale blue and piercing. He can use them, too, for more than cosmetic effect. He brings to the role the sensitive, fretting gaze of the concerned parent - one who finds himself in the same high school as his own kids.
The movie's limits are the limits of the formula. There's only one way "17 Again" can be resolved, but doing so requires a shoehorn. Also, why did Mike's teenage daughter (Michelle Trachtenberg) have to be presented as such a repellent brat? If you believe Hollywood, there's no teenage-girl nastiness, ingratitude or misbehavior that can't be forgiven, even without an apology. That's a great message to be reinforcing in a movie that's going to be seen by every 14-year-old girl in America.

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