In the nineteenth century the stars brilliant of French literary, victor? Hugo can say is the most bright a star. He is the great poet, fame of distinguished playwright, novelist, and the French romantic literature movement of the flag-bearer and leader. This great work "Notre Dame DE Paris" is the first part of his cause a stir effect romantic novel its literary value and of great significance to the society, make it after nearly two centuries of time later, or in today is over and over again, re-print, ChongBan, thus come to my hand.
I read the book in the process, I felt strong "tenth contrast". Who in the books and events, even from real life, also be greatly exaggerated and strengthen, the writers of the under mo chongcai, constitute a series of flowery and singular pictures, the formation of sharp, even is the incredible good and evil, beauty and ugliness contrast.
"Notre Dame DE Paris" plot always around three people spread out: the good and beautiful girl esmeralda, cruel hypocrisy of Notre Dame in bishop's deputy crowe? Eph LuoLuo and ugly, inner high of bell ringers were the more the west.
A young girl esmeralda is the darling of the hang out in Paris, on a street performers. She pure, sympathetic, ready to rescue people. Because can't bear to see an innocent be put to death, she accept poet GanGuo watts do its own name on husband, in order to save his life; See the more the west by flogging in the hot sun, only she can sympathize with pity, because the water to thirsty and shout of bell ringers were lips. Such a noble girl, he was the church, the court denounced as "witch", "killer", and was sentenced to hanging. The author put the characters into beautiful and good incarnate, let her heart's beauty and good complete reunification, to attract readers to her boundless sympathy, produced by the church, and of the feudal monarchy resentment.
As for vice bishop's Chloe and of bell ringers were the more the west, these are two completely opposite image. Crowe's seemingly respectable, have a poor practice abstinence life, and heart however thirst for her music, to secular enjoy full of was jealous. Selfish, sinister, means. And the more the west, this bow-backed, one-eyed, deaf and lame a deformity of the people, by the world from the discrimination and bullying. In esmeralda there, he experience for the first time, the warmth of the people, the appearance of the vulgar savage weirdo, from now on and then will his entire life and enthusiasm on esmeralda's body, she can go through fire and water, can in order to her happiness sacrifice everything.
This to the extreme demarcate contrast, absolute lofty and evil opposition of the novel has a shocking strength, can we all gone feelings. That may be the charm of romantic fiction.
In "Notre Dame DE Paris", the author with great compassion described the most lower level of people, Paris rangers and beggars. They dressed in rags, manner, rude, but with far than the so-called educated, civilization in the world of man's virtue. Helping and love each other, integrity, courage and SheJiWeiRen virtue. Novels in the Paris for rescue stray esmeralda against Notre Dame scene, solemn and stirring, intense, generosity, thrilling, obviously, to some extent, blended in July in Paris that the people's revolutionary heroism and destroyed people Paris saint germain church and the archbishop of Paris's events. Novels write here, but also through the characters of the mouths of people will rise up and destroyed predicted the bastille, suggests that the 1789 revolution broke 。
原文
在十九世纪群星灿烂的法国文坛，维克多?雨果可以说是最璀璨的一颗明星。他是伟大的诗人，声名卓著的剧作家、小说家，又是法国浪漫主义文学运动的旗手和领袖。这部伟大的作品《巴黎圣母院》是他的第一部引起轰动效应的浪漫派小说，它的文学价值和对社会深刻的意义，使它在经历了将近两个世纪的时间之后，还是在今天被一遍遍的翻印、重版，从而来到我的手中。
在我阅读这本书的过程中，我感受到了强烈的“美丑对比”。书中的人物和事件，即使源于现实生活，也被大大夸张和强化了，在作家的浓墨重彩之下，构成了一幅幅绚丽而奇异的画面，形成尖锐的、甚至是难以置信的善与恶、美与丑的对比。
《巴黎圣母院》的情节始终围绕三个人展开：善良美丽的少女爱斯梅拉达，残忍虚伪的圣母院副主教克洛德?弗罗洛和外表丑陋、内心崇高的敲钟人伽西莫多。
波希米亚少女爱斯梅拉达是巴黎流浪人的宠儿，靠街头卖艺为生。她天真纯洁，富于同情心，乐于救助人。因为不忍心看见一个无辜者被处死，她接受诗人甘果瓦做自己名义上的丈夫，以保全他的生命；看见伽西莫多在烈日下受鞭刑，只有她会同情怜悯，把水送到因口渴而呼喊的敲钟人的唇边。这样一个心地高贵的女孩，竟被教会、法庭诬蔑为“女巫”、“杀人犯”，并被判处绞刑。作者把这个人物塑造成美与善的化身，让她心灵的美与外在的美完全统一，以引起读者对她的无限同情，从而产生对封建教会及王权的强烈愤恨。
至于副主教克洛德和敲钟人伽西莫多，这是两个完全相反的形象。克洛德表面上道貌岸然，过着清苦禁欲的修行生活，而内心却渴求淫乐，对世俗的享受充满妒羡。自私、阴险、不择手段。而伽西莫多，这个驼背、独眼、又聋又跛的畸形人，从小受到世人的歧视与欺凌。在爱斯梅拉达那里，他第一次体验到人心的温暖，这个外表粗俗野蛮的怪人，从此便将自己全部的生命和热情寄托在爱斯梅拉达的身上，可以为她赴汤蹈火，可以为了她的幸福牺牲自己的一切。
这种推向极端的美丑对照，绝对的崇高与邪恶的对立，使小说具有一种震撼人心的力量，能卷走我们全部的思想情感。这也许正是浪漫派小说的魅力所在。
在《巴黎圣母院》中，作者以极大的同情心描写了巴黎最下层的人民、流浪者和乞丐。他们衣衫褴褛、举止粗野，却拥有远远胜过那个所谓有教养、文明的世界里的人的美德。互助友爱，正直勇敢和舍己为人的美德。小说中巴黎流浪人为救出爱斯梅拉达攻打圣母院的场面，悲壮、激烈、慷慨、惊心动魄，显然是在一定程度上融入了七月革命中巴黎人民显示的英勇精神和巴黎人民捣毁圣日尔曼教堂和巴黎大主教府的事件。小说写到这里，还通过书中人物之口预言人民将起来捣毁巴士底狱，暗示了一七八九年大革命的爆发。